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In 1792, when he was forty-seven, the Spanish painter Francisco de Goya contracted a serious illness which left him stone deaf. In this extraordinary book Julia Blackburn follows Goya through the remaining thirty-five years of his life. It was a time of political turmoil, of war, violence and confusion, and Goya transformed what he saw happening in the world around him into his visionary paintings, drawings and etchings. These were also years of tenderness for Goya, of intimate relationships with the Duchess of Alba and with Leocadia, his mistress, who was with him to the end. Julia Blackburn writes of the elderly painter with the intimacy of an old friend, seeing through his eyes and sharing the silence in his head, capturing perfectly his ferocious energy, his passion and his genius.
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Visual indictment of war's horrors, modeled after Spanish insurrection (1808), the resultant Peninsular War and following famine. Miseries of war graphically demonstrated in 83 prints.
With ravishing full-spread details of paintings and carefully-chosen details of many etchings, this illustrated volume focuses on Goya's profoundly disturbing imagery, and demonstrates that his modernity derives from his lifelong investigation of what lies behind the world of appearances and convention. Werner Hofmann describes the essence of Goya's huge output, pointing to the source of its energy, alarming immediacy and striking modernity. Goya’s paintings, drawings and prints are placed in their historical context, revealing the specific character of each phase of the artist’s life and work. The author discusses 'the glory and the pain of faith' in Goya’s early work, the artist’s ...
Goya is the most original artist of his generation & the best known Spanish painter of all time. This study offers the reader an insightful introduction to the painter & his great talent. It includes 43 color & black & white photographs of Goya's work as displayed in the Metropolitan Museum of Art.
For the most part, Goya's prints, which provided unequivocal evidence of his Enlightenment sympathies, were denied the wide circulation he intended for them. The artist's privileged position as Court Painter did not place him outside the orbit of the repressive regime in Spain before, during and after the Peninsular war with Napoleonic France; indeed, the Desastres series was not published until almost forty years after his death.
Between the opening of the French Revolution in 1789 and the end of the Napoleonic Wars in 1815, Spanish artist Francisco Goya painted what he saw around him, everything from peasants to priests, majas to monarchs, courtesans to country folk. This title helps to learn about this early 19th-century artist.
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