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Women's Art of the British Empire
The spread of the British Empire around the globe made vast changes in the relationship of peoples to places. Because the logistics of colonization varied, countries passed in and out of the empire, some rapidly and others slower or by degrees. Multiculturalism broadened the world’s ability to read the English language and understand and adopt England’s ethics and morals. Into the early twentieth century, the posting of the British army and navy and the establishment of English-style embassies and police forces in remote colonies freed single travelers, especially women and children, of the fear of violence or kidnap. As a result, girls and women found outlets for creativity by exploring...
Songket
This is a pioneering study of songket, a rich, luxurious ceremonial fabric. The author begins with a historical survey of songket weaving and then introduces the reader to the uses of the cloth, the techniques of production, the traditional design structure, and the complex register of motifsand patterns ornamenting the surface of the fabric.
The Malays
Just who are ‘the Malays’? This provocative study poses the question and considers how and why the answers have changed over time, and from one region to another. Anthony Milner develops a sustained argument about ethnicity and identity in an historical, ‘Malay’ context. The Malays is a comprehensive examination of the origins and development of Malay identity, ethnicity, and consciousness over the past five centuries. Covers the political, economic, and cultural development of the Malays Explores the Malay presence in Brunei, Singapore, Indonesia, Thailand, Cambodia, Sri Lanka, and South Africa, as well as the modern Malay show-state of Malaysia Offers diplomatic speculation about ways Malay ethnicity will develop and be challenged in the future
Journal of the Malaysian Branch of the Royal Asiatic Society
Includes the annual report of the Malaysian Branch, Royal Asiatic Society.
The Malay World of Southeast Asia
Over 5,000 entries arranged in four parts. Part I comprises reference and general works to provide a guide to information on Southeast Asia. Part II provides the setting of space and time. Part III features the people and Part IV the many facets of culture and society — language; ideas, beliefs, values; institutions; creative expression; and social and cultural change. Within each section, the arrangement is geographical, beginning with Southeast Asia as a whole followed by the various countries in alphabetical order.
Gilding the Phoenix
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