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It was the year when Madeline's family moved to an island her father believed God had guided him to. It was a place where she revelled in the natural beauty of their surroundings. It was a time of euphoria, but also of successive disasters. It was the night Madeline turned fourteen, when she did something she thought would save her beloved mother. Something so traumatic that she cannot now recall it, but her suave new psychiatrist thinks he knows how to unlock her memory. He is treading on very dangerous ground.
Ten-year-old Judith McPherson is a believer. Her world is carefully constructed around her faith: nightly scripture reading with her father, weekly gatherings at the Meeting Hall and daily proselytizing to the lost. With no TV and no books “of the world” to entertain her, she passes time by creating The Land of Decoration, a model in miniature of The Promised Land which she has made of collected discarded scraps—divine treasures that she squirrels away. But Judith’s troubles are mounting. At school, Neil Lewis’s relentless terrorizing has reached a feverish, dangerous pitch and, in town, a strike threatens the factory where her father works. One Sunday night, terrified of the viole...
Elizabeth Stone, a respected academic, has a new lease on life. In remission from cancer, she returns to the city where she was a student over thirty years ago to investigate some little-known papers by T. S. Eliot, which she believes contain the seeds of her masterpiece; a masterpiece that centres on a poem given to her when she was eighteen by the elusive Professor Hunt... But as the days pass in the city she loves and her friendship with Professor Hunt is rekindled, her memories return her to a time shadowed by loneliness, longing and quiet despair, and to an undeclared but overwhelming love. Paralysed by the fear of writing something worthless, haunted by a sense of waste, Elizabeth Stone comes to realise she is facing the biggest test of her life. As in her acclaimed debut The Land of Decoration, Grace McCleen gives an intense evocation of place, an unflinching portrayal of a character by turns comic, absurd, and disturbing, and a powerful sense of the transcendent within the ordinary. Profound and hypnotic, The Professor of Poetry devastates even as it exhilarates and echoes long after it has been closed.
'A powerful and truthful story about hope and how to find it' The Times 'A gem of a book' Emily Maitlis Emma's husband Chris is fretting about starvation and societal collapse. He's turned off the heating and is stockpiling off-label medicines and tins of baked beans. Chris, certain that society will soon spiral to its doom, finds Emma's optimism exasperating. Emma finds Chris's obsession with disaster relentless. She's beginning to wonder whether relationships, like mortgages, should be conducted in five-year increments. But when Chris's mother turns up for a visit, the cracks begin to show. Will Emma and Chris be able to find their way back to each other?
'Bloody brilliant' Paula Hawkins, bestselling author of The Girl on the Train Some memories are too powerful to live only in the past. During a ferocious storm, a red-haired stranger appears in the garden of a small farming cottage. Eliza and her parents take him in. But very soon, it’s clear he has no intention of leaving. A century later, Mary and Graham have experienced every parent’s worst nightmare. Now, escaping the memories and the headlines, they have found an idyllic new home in rural Suffolk. A cottage, a beautiful garden. The perfect place to forget. To move on. But life doesn’t always work that way. A devastating depiction of profound loss, sexual longing, love and true evil, The Stopped Heart is the finest novel to date from this most fearless and original of writers.
When Tom is sent to stay at his aunt and uncle's house for the summer, he resigns himself to endless weeks of boredom. As he lies awake in his bed he hears the grandfather clock downstairs strike . . .eleven . . . twelve . . . thirteen . . . Thirteen! Tom races down the stairs and out the back door, into a garden everyone told him wasn't there. In this enchanted thirteenth hour, the garden comes alive - but Tom is never sure whether the children he meets there are real or ghosts . . . This entrancing and magical story is one of the best-loved children's books ever written.
16 modern fiction superstars shine a startling light on the romance and pain of the infamous literary pair Heathcliff and Cathy.Short stories to stir the heart and awaken vital conversation about love.
A father-daughter story that tells of the author’s experience growing up in a separatist fundamentalist Christian cult, from the author of the national bestseller Ghostwalk Rebecca Stott grew up in in Brighton, England, as a fourth-generation member of the Exclusive Brethren, a cult that believed the world is ruled by Satan. In this closed community, books that didn’t conform to the sect’s rules were banned, women were subservient to men and were made to dress modestly and cover their heads, and those who disobeyed the rules were punished and shamed. Yet Rebecca’s father, Roger Stott, a high-ranking Brethren minister, was a man of contradictions: he preached that the Brethren should ...
Murdo, a teenager obsessed with music, dreams of a life beyond his Scottish island home. His dad Tom has recently lost his wife and stumbles towards the future, terrified of losing control of what remains of his family life Both are in search of something as they set out on an expedition into the American South. As they travel they encounter a new world and we discover whether the hopes of youth can conquer the fears of age. Dirt Road is a major novel exploring the brevity of life, the agonising demands of love and the lure of the open road. It is also a beautiful book about the power of music and all that it can offer.
A tale of youth and warped masculinity, this is the suspenseful, lyrical and page-turning Japanese classic. A band of thirteen-year-old boys reject the stupidity of the adult world. They decide it is illusory, hypocritical and sentimental, and train themselves in a brutal callousness they call ‘objectivity’. When the mother of one of them begins an affair with a ship’s officer, he and his friends idealise the man at first, but it is not long before they conclude that he is, in fact, soft and romantic. They regard this disillusionment as an act of betrayal on his part – and the retribution is deliberate and horrifying. ‘A page turning novel... A timeless classic’ Independent ‘Mishima’s greatest novel, and one of the greatest of the past century’ The Times TRANSLATED BY JOHN NATHAN