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The Graham Harman Reader
'Overcoming the war of religion between analytics and continentals with a brand-new metaphysical insight, Graham Harman has restored to philosophy its greatness and value.' Maurizio Ferraris, Italian continental philosopher and author of the Manifesto of New Realism The Graham Harman Reader is the essential compendium of shorter works by one of the most influential philosophers of the twenty-first century. The writings in this volume are split into seven chapters. The first concerns Harman’s resistance to both downward and upward reductionism. The second chapter contains works that develop the specific fourfold structure of Object-Oriented Ontology. In the third, we find Harman’s novel a...
The Graham Harman Reader
The essential compendium of shorter works by one of the most influential philosophers of the twenty-first century. Written in Harman's typical clear and witty style, the Reader is an essential resource for veteran readers of Harman and newcomers alike.
Artful Objects
A lecture by the originator of object-oriented philosophy, delivered on the occasion of the Sculpture after Sculpture exhibition at Moderna Museet, Stockholm. Can objects be traumatized? How does the commercial value of an art object relate to its aesthetic qualities? How do objects interact? These are some of the questions addressed by Graham Harman, the originator of object-oriented philosophy and a central figure of the Speculative Realism school of thought in contemporary philosophy. This book includes Graham Harman's lecture “What Is an Object?” delivered at Moderna Museet in Stockholm, on the occasion of the exhibition “Sculpture after Sculpture,” with Jeff Koons, Charles Ray, ...
Is there an Object Oriented Architecture?
Bringing Graham Harman's philosophy into direct confrontation with contemporary architectural theory in new and creative ways, Is There an Object-Oriented Architecture? provides a dialogue between Harman and six of the world's leading architectural thinkers, Adam Sharr, Lorens Holm, Jonathan Hale, Peg Rawes, Patrick Lynch and Peter Carl. Harman's object-oriented philosophy is one that sees the universe as a carnival of equal “objects” with no hierarchy between humans and nonhumans. In his model, unicorns, triangles, bicycles, neutrons, and humans are all things with enduring essences that outlast their partial transformations. It is a strikingly democratic vision of the universe that kno...
Waves and Stones
We all see the world around us differently. Some people believe in gradual political progress; others push for radical revolution. Some of us see our lives as a long process of growth and change, and others as a series of landmark events. In Waves and Stones, philosopher Graham Harman gives a name to this age-old divide, and lays out a new, unified theory for understanding it. 'Waves' look at the world through continuities, from phenomena as diverse as the incremental baby steps of childhood to the slow creep of fascism. The 'stone' perspective, by contrast, favours jarring discontinuity: the first day at secondary school, or the dropping of the atom bomb. This dualism is one of the most fundamental paradoxes in human thought. With dazzling insight, Harman shows how the continuous vs discrete divide can be found wherever we turn, at the heart of every intellectual discipline from mathematics to politics and embedded in the fabric of our daily lives. Tracing its roots from Aristotle to Bergson, he proposes a new way of thinking about this ancient problem, with profound implications for our understanding of ourselves and the world we live in.
Weird Realism
As Hölderlin was to Martin Heidegger and Mallarmé to Jacques Derrida, so is H.P. Lovecraft to the Speculative Realist philosophers. Lovecraft was one of the brightest stars of the horror and science fiction magazines, but died in poverty and relative obscurity in the 1930s. In 2005 he was finally elevated from pulp status to the classical literary canon with the release of a Library of America volume dedicated to his work. The impact of Lovecraft on philosophy has been building for more than a decade. Initially championed by shadowy guru Nick Land at Warwick during the 1990s, he was later discovered to be an object of private fascination for all four original members of the twenty-first ce...
The Quadruple Object
"In this book we again encounter Harman's voice and the extraordinary force of his theses." Quentin Meillassoux, École normale supérieure, author of After Finitude This bestselling book presents the metaphysical system of renowned philosopher Graham Harman in lucid form, aided by helpful diagrams.
Object-Oriented Ontology
What is reality, really? Are humans more special or important than the non-human objects we perceive? How does this change the way we understand the world? We humans tend to believe that things are only real in as much as we perceive them, an idea reinforced by modern philosophy, which privileges us as special, radically different in kind from all other objects. But as Graham Harman, one of the theory's leading exponents, shows, Object-Oriented Ontology rejects the idea of human specialness: the world, he states, is clearly not the world as manifest to humans. At the heart of this philosophy is the idea that objects - whether real, fictional, natural, artificial, human or non-human - are mut...
Art and Objects
In this book, the founder of object-oriented ontology develops his view that aesthetics is the central discipline of philosophy. Whereas science must attempt to grasp an object in terms of its observable qualities, philosophy and art cannot proceed in this way because they don't have direct access to their objects. Hence philosophy shares the same fate as art in being compelled to communicate indirectly, allusively, or elliptically, rather than in the clear propositional terms that are often taken – wrongly – to be the sole stuff of genuine philosophy. Conceiving of philosophy and art in this way allows us to reread key debates in aesthetic theory and to view art history in a different w...
Tool-Being
Tool-Being offers a new assessment of Martin Heidegger's famous tool-analysis, and with it, an audacious reappraisal of Heidegger's legacy to twenty-first-century philosophy. Every reader of Being and Time is familiar with the opposition between readiness-to-hand (Zuhandenheit) and presence-at-hand (Vorhandenheit), but commentators usually follow Heidegger's wishes in giving this distinction a limited scope, as if it applied only to tools in a narrow sense. Graham Harman contests Heidegger's own interpretation of tool-being, arguing that the opposition between tool and broken tool is not merely a provisional stage in his philosophy, but rather its living core. The extended concept of tool-being developed here leads us not to a theory of human practical activity but to an ontology of objects themselves. Tool-Being urges a fresh and concrete research into the secret contours of objects. Written in a lively and colorful style, it will be of great interest to anyone intrigued by Heidegger and anyone open to new trends in present-day philosophy.
