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Path To Fame
Gary Barlow’s Path to Fame came to an abrupt halt when his career slumped in the most spectacular way. Until his solo career crumbled, his pathway had been lined with gold. Quite simply, he was a musical prodigy as a teenager growing up in the small Cheshire town of Frodsham. The compère at the local British Legion Club asked the bingo enthusiasts to listen politely to a song the schoolboy musician had just composed and give it a massive applause. Gary blew on the mic, as he always did, and began: ‘Put Your Head Against My Life...’ It was the first public performance of A Million Love Songs and it did indeed bring the house down. When he first found fame, Gary was perceived as arrogan...
"What is to be Done?"
Public engagement is high on the policy agendas of university funders, Vice Chancellors, policy makers, and in the wider cultural and public sphere. “What is to be Done?”: Cultural Leadership and Public Engagement in Art and Design Education introduces the reader to the different meanings and motivations that underpin this current trend, drawing upon initiatives and challenges set by: successive Arts Council policies to attract and inspire new audiences; Research Excellence Framework (REF) guidance on submitting impact case studies; and the Department for Culture, Media and Sport (DCMS) recognising the need to clearly articulate the value of culture using methods which fit in with the government’s decision-making strategies. Introducing the reader to the landscape of public engagement in the context of broader social, cultural and political challenges, as well as to the challenges faced when seeking to measure and articulate the impact of public engagement for different audiences, “What is to be Done?” will be of interest to postgraduate students and those working in Higher Education and the cultural industries, particularly in the museums and galleries sector.
The Cultural Politics of Jazz Collectives
The Cultural Politics of Jazz Collectives: This Is Our Music documents the emergence of collective movements in jazz and improvised music. Jazz history is most often portrayed as a site for individual expression and revolves around the celebration of iconic figures, while the networks and collaborations that enable the music to maintain and sustain its cultural status are surprisingly under-investigated. This collection explores the history of musician-led collectives and the ways in which they offer a powerful counter-model for rethinking jazz practices in the post-war period. It includes studies of groups including the New York Musicians Organization, Sweden’s Ett minne för livet, Wonderbrass from South Wales, the contemporary Dutch jazz-hip hop scene, and Austria‘s JazzWerkstatt. With an international list of contributors and examples from Europe and the United States, these twelve essays and case studies examine issues of shared aesthetic vision, socioeconomic and political factors, local education, and cultural values among improvising musicians.
In Whose Service?
None
London's Turning
The Thames Gateway plan is the largest and most complex project of urban regeneration ever undertaken in the United Kingdom. This book provides a comprehensive overview and critique of the Thames Gateway plan, but at the same time it uses the plan as a lens through which to look at a series of important questions of social theory, urban policy and governmental practice. It examines the impact of urban planning and demographic change on East London's material and social environment, including new forms of ethnic gentrification, the development of the eastern hinterlands, shifting patterns of migration between city and country, the role of new policies in regulating housing provision and the attempt to create new cultural hubs downriver. It also looks at issues of governance and accountability, the tension between public and private interests, and the immediate and longer term prospects for the Thames Gateway project both in relation to the 'Olympics effect' and the growth of new forms of regionalism.
Youthsites
This book is an original study of the youth organizations in London, Toronto, and Vancouver that offer creative and arts programs mainly to youth from diverse and socially marginalized backgrounds. It describes a sector that is often not recognized, organizations that don't like being institutionalized, forms of education that exist outside the mainstream, types of aesthetic expression that often go unrecognized, and unusual learning and cultural opportunities for socially marginalized young people. Rooted in the history of community arts movements from the 1970s, Youthsites, or the non-formal youth arts learning sector, is now part of cities around the world. Technological change, shifts in...
The Cultural Politics of the New Criticism
Mark Jancovich examines the development of the New Criticism during the late 1920s and early 1930s, and its establishment within the academy.
Gary
Top celebrity biographer Sean Smith tells the story of national treasure Gary Barlow, one of the UK's greatest songwriters and musicians. Throughout a stellar career, nobody has been more misunderstood than Gary Barlow. When he first found fame, he was perceived as too arrogant. Then, after a spectacular slump and amazing recovery, he adopted a modesty that underrates his lifetime achievements. In this book Sean Smith redresses the balance by revealing the real man, the romances that shaped his life and the passion for music that drives him. A singer and virtuoso keyboard player who performed in working men's clubs from the age of thirteen, Gary Barlow would go on to achieve phenomenal success as the musical force behind Take That, the most popular boy band of all time. Now recognized as one of the greatest songwriters and musicians the UK has ever produced, Gary is among the best-known faces on television, returning as head judge on the X Factor in 2013. Featuring original interviews with many people who have never spoken before, Gary is a celebration of a complex and unique talent.
Aesthetics and Politics
Through comparative and integrated case studies, this book demonstrates how aesthetics becomes politics in cultural policy. Contributors from Norway, Sweden and the UK analyse exactly what happens when art is considered relevant for societal development, at both a practical and theoretical level. Cultural policy is seen here as a mechanism for translating values, that through organized and practical aesthetical judgement lend different forms of agency to the arts. What happens when aesthetical value is reinterpreted as political value? What kinds of negotiations take place at a cultural policy ground level when values are translated and reinterpreted? By addressing these questions, the editors present an original collection that effectively centralises and investigates the role of aesthetics in cultural policy research.
Making Culture Count
This book is a collection of diverse essays by scholars, policy-makers and creative practitioners who explore the burgeoning field of cultural measurement and its political implications. Offering critical histories and creative frameworks, it presents new approaches to accounting for culture in local, national and international contexts.
