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First published in 1996, this book charts the philosophical landscape of staff development at a time when the subject of ‘quality’ in university teaching and learning was under examination. Graham Webb considers three main issues in his research. He focuses on what the basis for educational and staff development actually is and looks at the weaknesses of the then current practices, as well as deliberating over the future of informed staff development. This book will be of interest to staff developers of all kinds and more generally, to anyone concerned with education and human development.
Short subject films have a long history in American cinemas. These could be anywhere from 2 to 40 minutes long and were used as a "filler" in a picture show that would include a cartoon, a newsreel, possibly a serial and a short before launching into the feature film. Shorts could tackle any topic of interest: an unusual travelogue, a comedy, musical revues, sports, nature or popular vaudeville acts. With the advent of sound-on-film in the mid-to-late 1920s, makers of earlier silent short subjects began experimenting with the short films, using them as a testing ground for the use of sound in feature movies. After the Second World War, and the rising popularity of television, short subject films became far too expensive to produce and they had mostly disappeared from the screens by the late 1950s. This encyclopedia offers comprehensive listings of American short subject films from the 1920s through the 1950s.
As seen in the new movie The Post, directed by Steven Spielberg and starring Meryl Streep, here is the captivating, inside story of the woman who piloted the Washington Post during one of the most turbulent periods in the history of American media. In this bestselling and widely acclaimed memoir, Katharine Graham, the woman who piloted the Washington Post through the scandals of the Pentagon Papers and Watergate, tells her story - one that is extraordinary both for the events it encompasses and for the courage, candour and dignity of its telling. Here is the awkward child who grew up amid material wealth and emotional isolation; the young bride who watched her brilliant, charismatic husband ...
RULES FOR BEING A MAN Don't Cry; Love Sport; Play Rough; Drink Beer; Don't Talk About Feelings But Robert Webb has been wondering for some time now: are those rules actually any use? To anyone? Looking back over his life, from schoolboy crushes (on girls and boys) to discovering the power of making people laugh (in the Cambridge Footlights with David Mitchell), and from losing his beloved mother to becoming a husband and father, Robert Webb considers the absurd expectations boys and men have thrust upon them at every stage of life. Hilarious and heartbreaking, How Not To Be a Boy explores the relationships that made Robert who he is as a man, the lessons we learn as sons and daughters, and the understanding that sometimes you aren't the Luke Skywalker of your life - you're actually Darth Vader.
The story of every lantern is unique, just like yours and mine.This collection includes all three ebook novellas, Lantern, Beacon, and Torch.Tori discovers a lantern that shines for her and nobody else. Is it a ghost or a living being that must be set free?Serah unseals a globe made of Celestial Glass. Does success bring her happiness or create more trouble than it's worth?Evelyn meets Graham after attending a party where a lantern burns out. Who lights the way to pull the other through?Experience three different stories, all with a connection to a mysterious lamp maker.
Humour.
This encyclopedia covers all English language animation from the first 80 years of its history. From the popular to the obscure, each entry includes production information, synopsis and other rare and obscure information.
This memoir tells the story of my brief marriage to a commercial fisherman. I quit my job as an attorney and joined him in his endeavors as a commercial albacore and salmon fisherman. The story involves the intricacies of commercial fishing on the Pacific Ocean and just how fragile a business it is. One mistake can sink the boat and that is precisely what happened to us a short six months after our marriage. We had no insurance and lost everything in a freak storm. That stroke of fate proved determinative of the rest of the relationship. Several newspaper articles covered the tragedy. The book mentions the numerous pelagic avian and mammalian species we viewed and photographed while on the ocean and there’s a naturalists pleasure in it. It is also a story of struggle and survival to make ends meet in a deeply difficult industry. The Captain of the Brandy Lee, our beloved boat, was a world-class storyteller, con artist, and wife beater. It is a tale of profound happiness and grief.
Charles Fort said, “I think we’re property.” And that is the plot of ‘Sinister Barrier.‘ We are cattle, a source of psychic energy for beings that exist as pure energy. They feed off of our emotions and our strongest emotions are lust, hate, and fear. And so they manipulate us to display our strongest emotions for their psychic vampirism. Ghastly crimes are the everyday meal for these beings; wars are banquets for their delectations. One scientist discovers these invisible beings of energy and is able to warn others before he dies. And then, many die. One dogged investigator is pursued cross-country and back as he puts together a meeting of minds to free humanity from these invisible tyrants. Sinister Barrier was published in 1939 in the initial issue of Unknown. It was the cover story.