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Bringing together scholars from art history, visual studies, and related disciplines, this edited volume asks why Trumpism looks the way it does and what that look means for American—and global—society. Grouped into six categories, the essays in this volume tackle some of the most perplexing—and urgent—aspects of the Trumpist visual project. Two of the most striking aspects of that project are its use of novel commodity forms, including the iconic red baseball caps, as well as its embrace of social media. Trump’s outlandish persona and striking physicality have lent themselves to caricature both from his critics and, perhaps more surprisingly, his supporters. That physicality—as ...
This book addresses the unique and profound indeterminacy of “Creole,” a label applied to white, black, and mixed-race persons born in French colonies during the nineteenth century. "Creole” implies that the geography of one’s birth determines identity in ways that supersede race, language, nation, and social status. Paradoxically, the very capaciousness of the term engendered a perpetual search for visual signs of racial difference as well as a pretense to blindness about the intermingling of races in Creole society. Darcy Grimaldo Grigsby reconstructs the search for visual signs of racial difference among people whose genealogies were often repressed. She explores French representa...
ACNS2009,the7thInternationalConferenceonAppliedCryptographyandN- work Security, was held in Paris-Rocquencourt, France, June 2–5, 2009. ACNS ´ 2009 was organized by the Ecole Normale Sup´ erieure (ENS), the French - tional Center for Scienti?c Research (CNRS), and the French National Institute for Researchin Computer Science andControl(INRIA), in cooperationwith the InternationalAssociation for CryptologicResearch(IACR). The General Chairs of the conference were Pierre-Alain Fouque and Damien Vergnaud. Theconferencereceived150submissionsandeachsubmissionwasassignedto at least three committee members. Submissions co-authored by members of the Program Committee were assigned to at least fo...
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This easy-to-read guide provides a concise introduction to the engineering background of modern communication systems, from mobile phones to data compression and storage. Background mathematics and specific engineering techniques are kept to a minimum so that only a basic knowledge of high-school mathematics is needed to understand the material covered. The authors begin with many practical applications in coding, including the repetition code, the Hamming code and the Huffman code. They then explain the corresponding information theory, from entropy and mutual information to channel capacity and the information transmission theorem. Finally, they provide insights into the connections between coding theory and other fields. Many worked examples are given throughout the book, using practical applications to illustrate theoretical definitions. Exercises are also included, enabling readers to double-check what they have learned and gain glimpses into more advanced topics, making this perfect for anyone who needs a quick introduction to the subject.
This study evaluates how the ideology of Socialist Realism, developed by the Soviets in policies and the practices of art, has been influential in the Asia-Pacific region from 1917 until today. Focusing primarily on Russia, then China, Vietnam, Korea, Singapore, Indonesia, the Philippines and Australia, this book demonstrates how each society adopted and adapted the Soviet example to make some of the most important imagery of recent history. Included is an examination of how the practice of Western art history, the nature of art history in Asia and the forces of the Cold War have led to this influence being inadequately acknowledged across Asia and more widely. The book will be relevant to those interested in art history, Asian studies, political history and cultural history.
Exhibition examines the museum's American Art collection, proposes that there are multiple modernisms not just one "official" narrative, and highlights the work of artists that were overlooked in the canon of 20th century American art (Black, women, etc.). -Includes works that range from 1905 to 2013 (paintings, prints, sculpture)-Gallery will be painted white and kept very simple, open space focus on the works-Combination of abstract and figurative modern pieces