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Compiled by a pioneer in Art Nouveau design, these 72 color plates of lush floral images are lovingly reproduced from a hard-to-find edition of a Belle Epoque classic. Full-page images, borders, and insets include illustrations — both real and fanciful — by M. P. Verneuil and other masters of the genre.
Reproduced from a rare portfolio, these lush floral images were compiled by a pioneer of Art Nouveau. These 466 color images feature vibrant, naturalistic motifs, stylized borders, panels, and medallions by Verneuil and other masters.
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Why do giraffes have such long necks? Why are zebras striped? Why are buffalo herds broadly democratic while elephants prefer dictatorships? What explains the architectural brilliance of the termite mound or the complications of the hyena's sex life? And why have honey-badgers evolved to be one of nature's most efficient agents of mass destruction?Deploying the latest scientific research and his own extensive observations on the African savannah, L�o Grasset offers some answers to these and many other intriguing questions. Having shown that natural phenomena are rarely simple and that often they get more complex the more you look at them, he brings to bear a mix of evolutionary biology and lateral thinking to explain the mysteries of animal behaviour in terms that are simple but never simplifying. He ends by considering how our origins in the savannah and evolution as the hybrid of several species can shapes our habits.L�o Grasset is one of France's brightest young natural scientists. Prepare to be fascinated, delighted, surprised, shocked and, above all, entertained by his brilliantly original Darwinian Just So stories.
Elegant botanical illustrations from the classic 1897 design book Plants and Their Application to Ornament arereproduced in this lavish collection. Sure to delight artists, designers, and fans of the Arts and Crafts and Art Nouveau styles, this gorgeous volume features flowering plants depicted as realistic natural history-style illustrations and stylized images demonstrating plant-based design motifs used on textiles, wallpapers, and more. Published in association with the Museum of Fine Arts, Boston, this deluxe edition presents an important art history artifact, a useful design reference, and a lovely and ornamental objet d'art.
Eugene Grasset (1845-1917), the Swiss painter, sculptor, and illustrator, was a pioneer in Art Nouveau design, and the original book from which these color plates are taken is still acknowledged as a major source of Art Nouveau patterns and motifs. Grasset illustrated each plant in the manner of a botanical watercolor and then developed the natural structure and tones in different pattern and color combinations. All the plates included here give a true flavor of Grasset's original volume, and form an invaluable compendium of decorative motifs and color schemes that will inspire illustrators, designers, and everyone who appreciates Art Nouveau.
Douglas Alden provides scholars of Proust a practical means of access to the Grasset Proofs, which include Du cote de chez Swann, A l'ombre des jeunes filles en fleurs and Le Cote de Guermantes. Alden guides the reader in approaching Proust's only work available in its pre-publication form by dividing his book into two sections. His "Commentary" offers an analysis of the changes Proust made to his work, and his "Variants" shows the 1913 and 1914 proofs in discourse with the Pleiade edition.