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The Creation of Modern Buenos Aires
The Creation of Modern Buenos Aires examines the impact of civic associations on the culture and the society of Buenos Aires and their ties to politics in the first decades of the twentieth century. The period saw the emergence of the modern political system with true appeals to the voters, tremendous urban growth, and the solidification of a barrio identity. Historian Joel Horowitz examines four types of organizations: football clubs, bibliotecas populares (popular libraries), sociedades de fomento (development societies that pushed for barrio improvements), and universidades populares (popular universities that provided practical training beyond the primary school level). All four types be...
The Neighborhood as a Social and Spatial Unit in Mesoamerican Cities
Recent realizations that prehispanic cities in Mesoamerica were fundamentally different from western cities of the same period have led to increasing examination of the neighborhood as an intermediate unit at the heart of prehispanic urbanization. This book addresses the subject of neighborhoods in archaeology as analytical units between households and whole settlements. The contributions gathered here provide fieldwork data to document the existence of sociopolitically distinct neighborhoods within ancient Mesoamerican settlements, building upon recent advances in multi-scale archaeological studies of these communities. Chapters illustrate the cultural variation across Mesoamerica, includin...
Handbook of Latin American Studies
Contains scholarly evaluations of books and book chapters as well as conference papers and articles published worldwide in the field of Latin American studies. Covers social sciences and the humanities in alternate years.
Ciudades (in)descifrables
Aventurarse en la tarea de comprender la complejidad creciente de la vida urbana requiere, necesariamente, nuevos abordajes transversales y disruptivos. El tratamiento de la ciudad desde los imaginarios y representaciones sociales de lo urbano constituye una postura teórica y metodológica, la cual permite identificar y descifrar las predisposiciones a la reproducción y las tendencias que anuncian formas de producción innovadoras de la ciudad y la vida urbana.
Bloomsbury Encyclopedia of Popular Music of the World, Volume 9
The Bloomsbury Encyclopedia of Popular Music Volume 9 is one of six volumes within the 'Genre' strand of the series. This volume discusses the genres of the Caribbean and Latin America relation to their cultural, historical and geographic origins; technical musical characteristics; instrumentation and use of voice; lyrics and language; typical features of performance and presentation; historical development and paths and modes of dissemination; influence of technology, the music industry and political and economic circumstances; changing stylistic features; notable and influential performers; and relationships to other genres and sub-genres. This volume features over 300 in-depth essays on genres ranging from Afro-Cuban Jazz to Alcatraz, from Carnaval to Charanga, and from Dancehall to Dub.
Handbook of Latin American Studies
Beginning with volume 41 (1979), the University of Texas Press became the publisher of the Handbook of Latin American Stuides, the most comprehensive annual bibliography in the field. Compiled by the Hispanic Division of the Library of Congress and annotated by a corps of more than 130 specialists in various disciplines, the Handbook alternates from year to year between social sciences and humanities. The Handbook annotates works on Mexico, Central America, the Caribbean and the Guianas, Spanish South America, and Brazil, as well as materials covering Latin America as a whole. Most of the subsections are preceded by introductory essays that serve as biannual evaluations of the literature and...
Musicians in Transit
In Musicians in Transit Matthew B. Karush examines the transnational careers of seven of the most influential Argentine musicians of the twentieth century: Afro-Argentine swing guitarist Oscar Alemán, jazz saxophonist Gato Barbieri, composer Lalo Schifrin, tango innovator Astor Piazzolla, balada singer Sandro, folksinger Mercedes Sosa, and rock musician Gustavo Santaolalla. As active participants in the globalized music business, these artists interacted with musicians and audiences in the United States, Europe, and Latin America and contended with genre distinctions, marketing conventions, and ethnic stereotypes. By responding creatively to these constraints, they made innovative music that provided Argentines with new ways of understanding their nation’s place in the world. Eventually, these musicians produced expressions of Latin identity that reverberated beyond Argentina, including a novel form of pop ballad; an anti-imperialist, revolutionary folk genre; and a style of rock built on a pastiche of Latin American and global genres. A website with links to recordings by each musician accompanies the book.
The Militant Song Movement in Latin America
Latin America in the 1960s and 1970s underwent a profound and often violent process of social change. From the Cuban Revolution to the massive guerrilla movements in Argentina, Uruguay, Peru, Colombia, and most of Central America, to the democratic socialist experiment of Allende in Chile, to the increased popularity of socialist-oriented parties in Uruguay, or para-socialist movements, such as the Juventud Peronista in Argentina, the idea of social change was in the air. Although this topic has been explored from a political and social point of view, there is an aspect that has remained fairly unexplored. The cultural—and especially musical—dimension of this movement, so vital in order ...
