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What We've Lost
The editor of Vanity Fair magazine offers a hard-hitting assessment of the current Bush administration and its disastrous effects on America at home and abroad. One of North America’s leading magazine editors, Graydon Carter, addresses the fragile state of U.S. democracy with a searing review of the Bush administration. Carter has expressed his deep dissatisfaction with the current state of the nation in his monthly editor’s letters in Vanity Fair — which have aroused widespread comment — and now provides a sweeping, painstakingly detailed account of the ruinous effects of this president’s actions. The invasion of Iraq, which has proven so costly for the U.S. in lives, dollars and ...
Vanity Fair 100 Years
Vanity Fair 100 Years showcases a century of personality and power, art and commerce, crisis and culture—both highbrow and low—in this collection of images that graced the pages of magazine, and some published for the very first time. From its inception in 1913, through the Jazz Age and the Depression, to its reincarnation in the boom-boom Reagan years, to the image-saturated Information Age, Vanity Fair has presented the modern era as it has unfolded, using wit, imagination, peerless literary narrative, and bold, groundbreaking imagery from the greatest photographers, artists, and illustrators of the day. Edited by Vanity Fair editor Graydon Carter, this sumptuous book takes a decade-by...
When the Going Was Good
When the Going Was Good is Graydon Carter's lively recounting of how he made his mark as one of society's most talented editors and shapers of culture. Carter arrived in New York from Canada with little more than a suitcase, a failed literary magazine in his past and a keen sense of ambition. He landed a job at Time, went on to work at Life, co-founded Spy magazine and edited The New York Observer before catching the eye of Condé Nast chairman Si Newhouse, who tapped him to run Vanity Fair. With his inimitable voice and raconteur's quip, Carter brings readers inside the drawing rooms of the great and not-always-good of America, Britain and Europe. He assembled one of the best-ever stables of writers and photographers under one roof, and here he re-creates in real time the steps he took to ensure that Vanity Fair during his 25-year run cemented its place as the epicentre of art, culture, business and politics. Charming, candid and brimming with humour, When the Going Was Good perfectly captures the last golden age of print magazines from the inside out.
New York Magazine
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
New York Magazine
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Anderson & Sheppard
Since 1906, Anderson & Sheppard have dressed some of the world’s most elegant and famous men, and a few daring women—for the first time, they open their doors to reveal the story behind a century of classic style, with photos from Cary Grant to Manolo Blahnik Edited by Vanity Fair's Graydon Carter and Cullen Murphy, with photographs by Jonathan Becker and Christopher Simon Sykes, paintings by the incomparable Paul Cox, and an elegant historical essay by David Kamp (The United States of Arugula), this privileged look at a best-kept fashion secret lays bare century-old traditions, tailor's tricks, and painstakingly detailed craftsmanship, as well as showcasing Anderson & Sheppard's famous ...
Vanity Fair: The Portraits
Bringing together 300 iconic portraits from "Vanity Fair's" 95-year history in a remarkable book that captures the image of modern fame, authors Carter and Friend showcase the magic that happens when individual talent and beauty--and sometimes genius--is caught in the spotlight of popular curiosity and passion. Abrams
Spy: The Funny Years
Just in time for the 20th anniversary of Spy's creation comes the definitive anthology, inside story, and scrapbook. Spy: The Funny Years will remind the magazine's million readers why they loved and depended on Spy and bring to a new generation the jewels of its reporting and writing, photography, illustration, design, and world-class mischief-making. It will demonstrate Spy's singular niche in American magazine and cultural history. But it is also intended to be enjoyed on its own: one beautiful volume containing Spy's funniest and most creative work, along with the ultimate insiders account of how it all came to be. All the best is here: Separated at Birth; Naked City; The Fine Print; Log...
Newhouse
Newhouse is the first full-scale biography of the turbulent life and business career of Samuel I. Newhouse, Jr., who could arguably be described as the most powerful private citizen in America. Controlling a fortune estimated to be in excess of thirteen billion dollars, Si and his brother Donald are richer than the Queen of England, or Bill Gates, or Ross Perot, or any of the Kennedys, Rockefellers, or Hearsts. But Newhouse is not primarily about the accumulation of money by a family that two generations ago was literally impoverished. Rather, it is a book about power.
Mortality
The world's greatest contrarian confronts his own death in this brave and unforgettable book. During the American book tour for his memoir, Hitch-22, Christopher Hitchens collapsed in his hotel room with excruciating pain in his chest. As he would later write in the first of a series of deeply moving Vanity Fair pieces, he was being deported 'from the country of the well across the stark frontier that marks off the land of malady.' Over the next year he experienced the full force of modern cancer treatment. Mortality is at once an unsparingly honest account of the ravages of his disease, an examination of cancer etiquette, and the coda to a lifetime of fierce debate and peerless prose. In this moving personal account of illness, Hitchens confronts his own death - and he is combative and dignified, eloquent and witty to the very last.
