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Band 6 der Meinong-Studien versammelt Beiträge vor allem zu den Themen Intentionalität, Existenz und Fiktion. Dabei wird der Hintergrund von Meinongs Position bis herauf zur Debatte mit Russell beleuchtet; mehr systematisch ausgerichtet sind die Untersuchungen zu Kripkes Gegenposition sowie zur Bedeutung von Fiktionen im Rahmen wissenschaftlicher Kontexte. Abgerundet wird der Band durch biographische Darstellungen von Christian v. Ehrenfels, Begründer der Gestalt-Theorie und enger Freund Meinongs, und Ernst Mally, Schüler Meinongs und Nachfolger auf dessen Lehrstuhl.
The story of chocolate, from its discovery as a food source to today's gourmet chocolate recipes and European chocolatiers.
In many respects, Brentano conducted pioneering analyses of problems that are currently in the focus of cognitive science and artificial intelligence: from the problem of reference to that of representation, from the problem of categorial classification to ontology and the cognitive analysis of natural language. Brentano, in fact, dealt with and wrote on questions concerning the auditory stream (temporal apprehension), visual perception (continua, point of view, three-dimensional construction of phenomenal objects), intentionality, imagery, and conceptual space, considering these pertaining to a metaphysical enquiry. Moreover, Brentano displayed clear awareness of the complexity of problems ...
Based on primary sources, many of which have never been published or examined in detail, this book examines the music of the late seventeenth-century composers, Biber, Schmeltzer and Muffat, and the compositions preserved in the extensive Moravian archives in Kromeriz. These works have never before been fully examined in the cultural and conceptual contexts of their time. Charles E. Brewer sets these composers and their music within a framework that first examines the basic Baroque concepts of instrumental style, and then provides a context for the specific works. The dances of Schmeltzer, for example, functioned both as incidental music in Viennese operas and as music for elaborate court pa...
Presents a thematically indexed bibliography devoted to Afghanistan. Following the pattern established by one of its major data sources, viz, the acclaimed Index Islamicus, both journal articles and book publications are included and indexed.
The Oratorio in the classical Era is the third volume of Howard Smither's monumental History of the Oratorio, continuing his synthesis and critical appraisal of the oratorio. His comprehensive study surpasses in scope and treatment all previous works on the subject. A fourth and final volume, on the oratorio in the nineteenth and twentieth centuries, is forthcoming. In this volume Smither discusses the Italian oratorio from the 1720s to the early nineteenth century and oratorios from other parts of Europe from the 1750s to the nineteenth century. Drawing on works that represent various types, languages, and geographical areas, Smither treats the general characteristics of oratorio libretto a...
This book presents a coherent state-of-the-art survey on the area of systematic and cognitive musicology which has enjoyed dynamic growth now for many years. It is devoted to exploring the relationships between acoustics, human information processing, and culture as well as to methodological issues raised by the widespread use of computers as a powerful tool for theory construction, theory testing, and the manipulation of musical information or any kind of data manipulation related to music.
The cross-fertilisation in written and material culture across borders in the medieval world.
An exploration of the thought of Gilles Deleuze and its relevance to theology.
A study of songs composed by Schubert in the final six years of his life.