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Italy possesses two literary canons, one in the Tuscan language and the other made up of the various dialects of its many regions. The Other Italy presents for the first time an overview of the principal authors and texts of Italy's literary canon in dialect. It highlights the cultivated dialect poetry, drama, and narrative prose since the codification of the Tuscan literary language in the early sixteenth century, when writing in dialect became a deliberate and conscious alternative to the official literary standard. The book offers a panorama of the literary dialects of Italy over five centuries and across the country's regions, shedding light on a profoundly plurilingual and polycentric civilization. As a guide to reading and research, it provides a compendium of literary sources in dialect, arranged by region and accompanied by syntheses of regional traditions with selected textual illustrations. A work of extraordinary importance, The Other Italy was awarded the Modern Language Association of America's Aldo and Jean Scaglione Publication Award for a Manuscript in Italian Literary Studies. It will serve scholars as an indispensable resource book for years to come.
This collection of essays provides a comprehensive account of the culture of modern Italy. Contributions focus on a wide range of political, historical and cultural questions. The volume provides information and analysis on such topics as regionalism, the growth of a national language, social and political cultures, the role of intellectuals, the Church, the left, feminism, the separatist movements, organised crime, literature, art, design, fashion, the mass media, and music. While offering a thorough history of Italian cultural movements, political trends and literary texts over the last century and a half, the volume also examines the cultural and political situation in Italy today and suggests possible future directions in which the country might move. Each essay contains suggestions for further reading on the topics covered. The Cambridge Companion to Modern Italian Culture is an invaluable source of materials for courses on all aspects of modern Italy.
The originality and depth of Gramsci's theory of hegemony is now evidenced in the wide-ranging intellectual applications within a growing corpus of research and writings that include social, political and cultural theory, historical interpretation, gender and globalization. The reason that hegemony has been so widely and diversely adopted lies in the unique way that Gramsci formulated the 'problematics' of structure/superstructure, coercion/consensus, materialism/idealism and regression/progression within the concept hegemony. However, in much of the contemporary literature the full complexity of hegemony is either obfuscated or ignored. Hegemony, through comprehensive and systematic analyses of Gramsci's formulation, a picture of hegemony as a complex syncretism of these dichotomies. In other words, hegemony is presented as a concept that is as much about aspiration and progressive politico-social relations as it is about regressive and dominative processes. Thus, the volume recognises and presents this complexity through a selection of contemporary theoretical as well as historico-social investigations that mark a significantly innovative moment in the work on hegemony.