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Tradition and Innovation in Hellenistic Poetry
Hellenistic poets of the third and second centuries BC were concerned with the need both to mark their continuity with the classical past and to demonstrate their independence from it. In this revised and expanded translation of Muse e modelli: la poesia ellenistica da Alessandro Magno ad Augusto, Greek poetry of the third and second centuries BC and its reception and influence at Rome are explored allowing both sides of this literary practice to be appreciated. Genres as diverse as epic and epigram are considered from a historical perspective, in the full range of their deep-level structures, providing a different perspective on the poetry and its influence at Rome. Some of the most famous poetry of the age such as Callimachus' Aitia and Apollonius' Argonautica is examined. In addition, full attention is paid to the poetry of encomium, in particular the newly published epigrams of Posidippus, and Hellenistic poetics, notably Philodemus.
Hellenistic Poetry
A major new collection of use to all students and scholars working on Hellenistic Greek poetry
Theocritus and the Archaeology of Greek Poetry
This book focuses on the hymns, mimes and erotic poems of the Greek poet Theocritus, and examines how Theocritus uses the traditions of earlier Greek poetry to recreate past forms in a way that exploits the new conditions under which poetry was written in the third century BC. Recent papyri have greatly increased our understanding of how Theocritus read archaic poetry, and these new discoveries are fully drawn on in a set of readings that will change the way we look at Hellenistic poetry.
Poetry as Window and Mirror
Hellenistic Poetry has enjoyed a notable re-appreciation in recent years and received ample scholarly discussion, especially focusing on its reception and innovation of Greek poetic tradition. This book wishes to add to our picture of how Hellenistic poetry works by looking at it from a slightly different angle. Concentrating on the interaction between contemporary poets, it attempts to view the dynamics of imitation and reception in the light of poetical self-positioning. In the courtly Alexandrian surroundings, choosing a poetic model and affiliation determines one's position in the cultural field. This book sets out to chart, not only the well-known complexities of handling the poetic past, but especially their relation to the poetic interaction of the Hellenistic, in particular Alexandrian poets.
Wandering Poets in Ancient Greek Culture
Explores the phenomenon of wandering poets, setting them within the wider context of ancient networks of exchange, patronage and affiliation.
A Companion to Hellenistic Literature
Offering unparalleled scope, A Companion to Hellenistic Literature in 30 newly commissioned essays explores the social and intellectual contexts of literature production in the Hellenistic period, and examines the relationship between Hellenistic and earlier literature. Provides a wide ranging critical examination of Hellenistic literature, including the works of well-respected poets alongside lesser-known historical, philosophical, and scientific prose of the period Explores how the indigenous literatures of Hellenized lands influenced Greek literature and how Greek literature influenced Jewish, Near Eastern, Egyptian, and Roman literary works
Hellenistic Poetry
This broad study of the Hellenistic poets of the 3rd century B.C. provides a much needed picture of the poetry of the period while demonstrating its quality and vitality. Hutchinson explores the work of such writers as Theocritus, Callimachus, and Apollonius of Rhodes--developing a general conception of poetry that centers around the poets' handling of tone, level, and form--and offers a fresh analysis of the influence of Hellenistic poetry on that of Rome.
The Narrator in Archaic Greek and Hellenistic Poetry
This text examines how Callimachus, Theocritus and Apollonius deal with their poetic inheritance from earlier Greek poetry.
The Shadow of Callimachus
Through a series of critical readings this book builds a picture of the Roman reaction to, and adoption of, the Greek poetry of the last three pre-Christian centuries. Although the poetry of the greatest figure of Greek poetry after Alexander, Callimachus of Cyrene, and his contemporaries stands at the heart of the book, the individual studies embrace the full scope of what remains of Hellenistic poetry, both high literary productions and the more marginal poetry, such as that in honour of the great goddess Isis. The singularity of the poetry of Catullus and Virgil, of Horace and the elegists, emerges as more rich and complex than has hitherto been appreciated. Individual studies concern the poets' declared attitudes to their own work, the figure of Dionysus/Bacchus and the poetry of world conquest, the creation of similes, and the conversion of Greek bucolic into Latin pastoral.
Propertius: A Hellenistic Poet on Love and Death
The bond between love and death has long been recognised as a defining characteristic of the elegies of Propertius, but scholars have rarely clarified how or to what degree Propertius differed from other love poets in associating these themes. In this book, Dr Papanghelis traces the radical way in which Propertius dealt with amorous and morbid fantasies in his poems. He argues that the modes of erotic expression used in the elegies are fundamentally unconventional, to the point that the definitions of love and death are interdependent. This book offers a detailed reading of some of the most stimulating and problematic of Propertius' elegies, offering fresh insight on the question of the poet's sensuous temperament and the significance of the love-death relationship in his works.
