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Featuring wild and warming tales from a life spent in the natural world, Water Colour is the literary equivalent of a fishing trip with great friends. Sixteen years after the much-loved Frog Call, fly fisher and storyteller Greg French has produced another glimmering collection of tales from his travels around Australia and beyond. In Water Colour, Greg visits old friends and new, reflects on a changing world, and delves deeply and often unexpectedly into matters of the soul. His stories, always told with humour and enthusiasm, are fascinating glimpses into the quirks of our relationships, between each other and with the environment. Water Colour is a celebration of humour and love, of sadness and loss, and of the kinds of insights that only an afternoon of fishing can inspire.
Mirth, passion and hope pervade this intriguing stream of tales about mateship, love, fathering, fishing, cowboy pilots, conservation and conservationists, nymphs, spinners, scruples and wild places, while beneath the surface run some of the bigger universal themes and matters that underlie our day to day existence."
The Second Reform Act, passed in 1867, created a million new voters, doubling the electorate and propelling the British state into the age of mass politics. It marked the end of a twenty year struggle for the working class vote, in which seven different governments had promised change. Yet the standard works on 1867 are more than forty years old and no study has ever been published of reform in prior decades. This study provides the first analysis of the subject from 1848 to 1867, ranging from the demise of Chartism to the passage of the Second Reform Act. Recapturing the vibrancy of the issue and its place at the heart of Victorian political culture, it focuses not only on the reform debate itself, but on a whole series of related controversies, including the growth of trade unionism, the impact of the 1848 revolutions and the discussion of French and American democracy.
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Photographers shot millions of pictures of the black civil rights struggle between the close of World War II and the early 1970s, yet most Americans today can recall only a handful of searing images. Martin A. Berger demonstrates that we have inherited a photographic canon - and, hence, a picture of history - shaped by the desire of whites for 'safe' images of unthreatening blacks.
A stunning collection of stoic portraits and intimate ephemera from the lives of Black Civil War soldiers Though both the Union and Confederate armies excluded African American men from their initial calls to arms, many of the men who eventually served were black. Simultaneously, photography culture blossomed—marking the Civil War as the first conflict to be extensively documented through photographs. In The Black Civil War Soldier, Deb Willis explores the crucial role of photography in (re)telling and shaping African American narratives of the Civil War, pulling from a dynamic visual archive that has largely gone unacknowledged. With over seventy images, The Black Civil War Soldier contai...
This collection of fourteen essays highlights both the singularity of personal reading experiences and the cultural conventions involved in reading and its perception.
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