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Profiles of artists and performers from around the world form the basis of this innovative volume that explores the many ways individuals engage with, carry on, revive, and create tradition. Leading scholars in folklore studies consider how the field has addressed the connections between performer and tradition and examine theoretical issues involved in fieldwork and the analysis and dissemination of scholarship in the context of relationships with the performers. Honoring Henry Glassie and his remarkable contributions to the field of folklore, these vivid case studies exemplify the best of performer-centered ethnography.
Analytical and Cross-Cultural Studies in World Music presents intriguing explanations of extraordinary musical creations from diverse cultures across the world. All the authors are experts, deeply engaged in the traditions they describe. They recount the contexts in which the music is created and performed, and then hone in on elucidating how the music works as sound in process. Accompanying the explanatory prose is a wealth of diagrams, transcriptions, recordings, and (online) multimedia presentations, all intended to convey the richness, beauty, and ingenuity of their subjects. The music ranges across geography and cultures--court music of Japan and medieval Europe, pagode song from Brazil...
With the exception of die-hard aficionados of European or Italian horror cinema, most people may not have heard of giallo cinema or have seen many films in this subgenre of horror. Most academic film studies tend to ignore horror cinema in general and the giallo specifically. Critics often deride these films, which reveal more about the reviewers' own prejudices than any problem with the works themselves. As a counter to such biases, Mikel J. Koven argues for an alternative approach to studying these films, by approaching them as vernacular cinema—distinct from "popular cinema." According to Koven, to look at a film from a vernacular perspective removes the assumptions about what constitut...
Vernacular responses have been crucial for communities seeking creative ways to cope with the coronavirus pandemic. With most people locked down and separated from the normal ebb and flow of life for an extended period of time, COVID-19 inspired community and creativity, adaptation and flexibility, traditional knowledge, resistance, and dynamism. Removing people from assumed norms and daily lives, the pandemic provided a moment of insight into the nature of vernacular culture as it was used, abused, celebrated, critiqued, and discarded. In Behind the Mask, contributors from the USA, the UK, and Scandinavia emphasize the choices that individual people and communities made during the COVID pan...
A critical examination of core issues in social and cultural theory.
While out exercising the afternoon of February 9, 1989, college student Tiffany Sessions disappeared. Her mother, Hilary, frantically tried to find her, but after twenty years, Tiffany is still missing. Where's My Tiffany? is a heartrending glimpse into one mother's struggles to deal with the emotions, hardships, and grief over the loss of her daughter. With intimate detail, Sessions reveals how the case unraveled, from the first moments of Tiffany's disappearance through the agonizing search for clues, and finally, to the eventual realization that Tiffany might not come back safely. But Sessions also focuses on how she turned her tragedy into a personal victory by never giving up hope. Inst...
The true story of how Adolf Hitler amassed billions of dollars in wealth, where that money went—and who may be trying to find it for themselves. In 1918 Adolf Hitler was penniless. But within twenty-five years he was probably the richest man in Europe. In this fascinating book, Cris Whetton reveals not only the extent of Hitler’s fortune but how it was amassed and those who helped him. As Whetton demonstrates, the royalties from his book, Mein Kampf, were only a small fraction of the total fortune Hitler possessed before World War II began. Whetton delves into the finances of Hitler’s publishing company Eher Verlag, and his fund Adolf Hitler Spende, to which many people ‘voluntarily’ contributed, as well as newly uncovered evidence of two of Hitler’s personal bank accounts. Also explored is how Hitler’s personal force, magnetism, and attraction to the opposite sex also proved hugely lucrative. Hitler’s Fortune also follows what happened to the property, the funds, the art collection, and other items after the Fuhrer’s suicide in 1945, and reveals who is—and who is trying to—profit in modern times from the evil legacy of Adolf Hitler.
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