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The first comprehensive scholarly biography of the Tudor playwright, poet, musician, singer, proverb-collector, and satirist, John Heywood.
Writing Under Tyranny: English Literature and the Henrician Reformation spans the boundaries between literary studies and history. It looks at the impact of tyrannical government on the work of poets, playwrights, and prose writers of the early English Renaissance. It shows the profound effects that political oppression had on the literary production of the years from 1528 to 1547, and how English writers in turn strove to mitigate, redirect, and finally resist that oppression. The result was the destruction of a number of forms that had dominated the literary production of late-medieval England, but also the creation of new forms that were to dominate the writing of the following centuries. Paradoxically, the tyranny of Henry VIII gave birth to many modes of writing now seen to be characteristic of the English literary Renaissance.
No one doubts the abilities of Special Operations Forces (SOF) after Desert Storm. But their impressive accomplishments are rooted in the lessons learned from Vietnam, Iran, Grenada, El Salvador, and Panama. AT THE HURRICANE'S EYE is the first book to take an unflinching look at SOF's growth since Vietnam. Author Greg Walker, with sixteen years of U.S. Army special operations experience as a ground operator, provides information and eyewitness acounts never before reported, from the tragic raid on Panama's Paitilla airfield to the first insider accounts of Special Forces, Marine Force Recon, and NAVY SEAL operations before and during Desert Storm.
Analyses the role of drama in English and Scottish court politics during the sixteenth century.
Greg Walker has trained under some of the world's top knife instructors, including elite U.S. military units, blade-oriented Asian martial arts and street fighters. Now he reveals what he has discovered to be the most effective lessons, tips and tools to aid you in your quest to become skilled in this warrior art.
Performing Arguments: Debate in Early English Poetry and Drama proposes a fresh performance-centered view of rhetoric by recovering, tracing, and analyzing the trope and tradition of aestheticized argumentation as a mode of performance across several early ludic genres: Middle English debate poetry, the fifteenth-century ‘disguising’ play, the Tudor Humanist debate interlude, and four Shakespearean works in which the dynamics of debate invite the plays’ reconsideration under the new rubric of ‘rhetorical problem plays.’ Performing Arguments further establishes a distinction between instrumental argumentation, through which an arguer seeks to persuade an opponent or audience, and performative argumentation, through which the arguer provides an aesthetic display of verbal or intellectual skill with persuasion being of secondary concern, or of no concern at all. This study also examines rhetorical and performance theories and practices contemporary with the early texts and genres explored, and is further influenced by more recent critical perspectives on resonance and reception and theories of audience response and reconstruction.
From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.
This anthology of drama in English contains plays from the late 14th century to the onset of the Renaissance. It brings together selections from all the major dramatic genres to provide a sense of the breadth and depth of medieval dramatic activity.
Profiles of military armed and unarmed combat instructors from around the world, past and present.
This book is a study of the English Reformation as a political and literary event. Focusing on an eclectic group of texts, unified by their explication of the key elements of the cultural history of the period 1510-1580 the book unravels the political, poetic and religious themes of the era. Through readings of work by Edmund Spenser, William Tyndale, Sir Thomas More and John Skelton, as well as less celebrated Tudor writers, Betteridge surveys pre-Henrician literature as well as Henrician Reformation texts, and delineates the literature of the reigns of Edward VI, Mary Tudor and Elizabeth I. Ultimately, the book argues that this literature, and the era, should not be understood simply on the basis of conflicts between Protestantism and Catholicism but rather that Tudor culture must be seen as fractured between emerging confessional identities and marked by a conflict between those who embraced confessionalism and those who rejected it. This important study will be fascinating reading for students and researchers in early modern English literature and history.