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The Turning Point in the Gospel of Mark
Based on linguistic and thematic links in the narrative, 'The Turning Point in the Gospel of Mark' argues that the twin pericopae of Peter's confession (8:27-38) and the Transfiguration (9:2-13) together function as the turning point of the Gospel and serve in a Janus- like manner enabling the reader to see the author's main focus: the identity of Jesus and the significance of that reality for his disciples. Peter's confession of Jesus as Messiah faces backward toward the Prologue (1:1-13) and functions as a mid-course conclusion. The declaration by God on the mountain faces forward and foreshadows the end-course conclusion (14:61-62; 15:39; Son of God). Jesus, in response, teaches that the Son of Man must suffer and die before being raised from the dead(8:31). Christologically, the images of Messiah, Son of Man, and Son of God converge and present Jesus, the crucified, as king, ushering in the kingdom of God in power (9:1 acting as the key swivel between the twin pericopae). When one is confronted withthis Jesus, though there remains something elusive about him and the kingdom of God in the narrative, the only wise decision (after calculating the costs, 8:34-38) is to follow.
The Turning Point in the Gospel of Mark
Based on linguistic and thematic links in the narrative, The Turning Point in the Gospel of Mark argues that the twin pericopae of Peter's confession (8:27-38) and the Transfiguration (9:2-13) together function as the turning point of the Gospel and serve in a Janus-like manner enabling the reader to see the author's main focus: the identity of Jesus and the significance of that reality for his disciples. Peter's confession of Jesus as Messiah faces backward toward the Prologue (1:1-13) and functions as a mid-course conclusion. The declaration by God on the mountain faces forward and foreshadows the end-course conclusion (14:61-62; 15:39; Son of God). Jesus, in response, teaches that the Son of Man must suffer and die before being raised from the dead (8:31). Christologically, the images of Messiah, Son of Man, and Son of God converge and present Jesus, the crucified, as king, ushering in the kingdom of God in power (9:1 acting as the key swivel between the twin pericopae). When one is confronted with this Jesus, though there remains something elusive about him and the kingdom of God in the narrative, the only wise decision (after calculating the costs, 8:34-38) is to follow.
Jesus and Scripture
For the New Testament writers, the Old Testament scriptures and the teachings of Jesus were key sources of authority and influence. When these influences are considered alongside each other, each can illuminate the other, deepening the New Testament writers' presentation of Jesus and our understanding of their interpretations. In Jesus and Scripture, Tom Parker examines the way in which Hebrews, James, and 1 and 2 Peter deal with these two different sources of authority, how they relate to each other, and what shifts have occurred historically and theologically within the writing of these texts. Treating the four epistles methodologically, Parker examines the particular ways in which each writer draws on the Hebrew scriptures. Ultimately, he argues convincingly that the nascent Jesus tradition, particularly via oral routes, influenced the way the Old Testament was processed by these various New Testament writers.
Hearing Kyriotic Sonship
In Hearing Kyriotic Sonship Michael Whitenton approaches the characterization of Mark’s Jesus from an interdisciplinary perspective and argues that many first-century listeners probably understood him as a divine Davidic king.
Jesus and the Gospels, Third Edition
All of Scripture testifies to the person of Jesus, yet the Gospels offer a face-to-face encounter. This newly revised third edition of Jesus and the Gospels prepares readers for an in-depth exploration of Matthew, Mark, Luke, and John. Esteemed New Testament scholar Craig Blomberg considers the Gospels’ historical context while examining fresh scholarship, critical methods, and contemporary applications for today. Along with updated introductions, maps, and diagrams, Blomberg’s linguistic, historical, and theological approach delivers a deep investigation into the Gospels for professors, students, and pastors alike.
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The Theological Programme of Mark
The first chapters of literary works are indispensable to understanding them. This is also true of the Gospels. Francesco Filannino shows that the introductory section of Mark's Gospel (Mark 1:1-15) is an important key to accessing the whole narrative, because it anticipates the main contents of the evangelist's theology.
Performing Early Christian Literature
Scholars of early Christian literature acknowledge that oral traditions lie behind the New Testament gospels. While the concept of orality is widely accepted, it has not resulted in a corresponding effort to understand the reception of the gospels within their oral milieu. In this book, Kelly Iverson reconsiders the experiential context in which early Christian literature was received and interpreted. He argues that reading and performance are distinguishable media events, and, significantly, that they produce distinctive interpretive experiences for readers and audiences alike. Iverson marshals an array of methodological perspectives demonstrating how performance generates a unique experiential context that shapes and informs the interpretive process. Iverson's study explores the dynamic oral environment in which ancient audiences experienced the gospel stories. He shows why an understanding of oral performance has important implications for the study of the NT, as well as for several issues that are largely unquestioned by biblical scholars.
History and Exegesis
A festschrift presented to New Testament E. Earle Ellis on his eightieth birthday. >
