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This anthology examines Love's Labours Lost from a variety of perspectives and through a wide range of materials. Selections discuss the play in terms of historical context, dating, and sources; character analysis; comic elements and verbal conceits; evidence of authorship; performance analysis; and feminist interpretations. Alongside theater reviews, production photographs, and critical commentary, the volume also includes essays written by practicing theater artists who have worked on the play. An index by name, literary work, and concept rounds out this valuable resource.
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Reviews 150 magazines of Latino interest, covering such categories as business and professional, parenting, sports and physical fitness, current events, and general interest
An investigation into how Larra (pseudonym Figaro) exposes the power relations that exist between and among individuals and the classes that form "society," this work provides a close reading in a postmodern vein of the satirical writer's duly famous articles penned- and published mostly between March 1835 and the summer of 1836. Casting light on the development of Larra's thought on power relations at this critical stage of his political life, this study offers a chronological, step-by-step analysis of the evolution of Larra's thoughts on power and politics.
Through an integrative historicist approach to a wide range of literary texts and archival documents, The Stages of Property makes an important statement about the cultural, societal, and political roles of the theatre in Spain during the 1800s.