You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
None
As the oldest of institutions, marriage seems outdated in modern times, when each individual is encouraged to break with tradition in order to fulfill him– or herself. And so artists like Diego Rivera and Frida Kahlo seem to be paving the way toward a brave, new kind of marriage, where spouses would be allowed—even encouraged—to fulfill different aspects of themselves in outside relationships. Shared creativity, they believed, would transcend their jealousies and compensate their sufferings: through art, they would rise above conventional marital fidelity, and prove a higher fidelity to art and to themselves. The Love Lives of the Artists tells the stories of Rainer Maria Rilke and Lou...
This book is about how the marketing of transnational cultural commodities capitalizes on difference and its appeal for cosmopolitan consumers in our postmodern globalized world. At what price? What ethical and political conundrums does the artist/writer/reader confront when going global? This volume analyzes why difference - whether gender, sexual, racial, ethnic, or linguistic - has become such a prominent element in the contemporary cultural field, and the effects of this prevalence on the production, circulation and reception of cultural commodities in the context of globalization. At the intersection of globalization, diaspora, postcolonial and feminist studies in world literature, these essays engage critically with a wide variety of representative narratives taken from diverse cultural fields, including humanitarian fiction, multilingual poetry, painting, text-image art, performance art, film, documentary, and docu-poetry. The chapters included offer counter-readings that disrupt hegemonic representations of cultural identity within the contemporary, neoliberal and globalized landscape.
Sloan investigates how civil laws in post-colonial Mexico played a significant role in changing social norms for marriage, sexuality, and parental authority.
None
Gamboa's World examines the changing legal landscape of eighteenth-century Mexico through the lens of the jurist Francisco Xavier de Gamboa (1717-1794). Gamboa was both a representative of legal professionals in the Spanish world and a central protagonist in major legal controversies in Mexico. Of Basque descent, Gamboa rose from an impoverished childhood in Guadalajara to the top of the judicial hierarchy in New Spain. He practiced law in Mexico City in the 1740s, represented Mexican merchants in Madrid in the late 1750s, published an authoritative commentary on mining law in 1761, and served for three decades as an Audiencia magistrate. In 1788 he became the first locally born regent, or chief justice, of the High Court of New Spain. In this important work, Christopher Albi shows how Gamboa's forgotten career path illuminates the evolution of colonial legal culture and how his arguments about law and justice remain relevant today as Mexico debates how to strengthen the rule of law.
A photobook gem collecting 25 years of work by Spanish photographer David Jiménez Universos includes Jiménez's (born 1970) photograms, hand-manipulated photographs and his highly abstracted black-and-white images of birds, human figures, swirls of smoke and marble surfaces.
The official centenary commemorating the Mexican Revolution of 1910 provided scholars with an opportunity to consider memorialization and its legacies and 'afterimages' in the twentieth century through to the present time. This collection of new essays, commissioned from experts based in Mexico, Europe and the United States, plays on the interrelated notions of 'revisitation', haunting, residual traces and valediction to interrogate the Revolution's multiple appearances, reckonings and reconfigurations in art, photography, film, narrative fiction, periodicals, travel-testimonies and poetry, examining key constituencies of creative media in Mexico that have been involved in historicizing, con...
The Militant Muse documents what it meant to be young, ambitious and female in the context of an avant-garde movement defined by celebrated men whose educational, philosophical and literary backgrounds were often quite different from those of their younger lovers and companions. Focusing on the 1930s, 1940s and 1950s, Whitney Chadwick charts five intense, far-reaching female friendships among the Surrealists to show how Surrealism, female friendship and the experiences of war, loss and trauma shaped individual womens transitions from beloved muses to mature artists. Her vivid account includes the fascinating story of Claude Cahun and Suzanne Malherbes subversive activities in occupied Jersey...