You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
In the year 2050, General Mark William George Parker, a United States Special Operations Officer experiences a strange encounter which occurred while overseeing Project 70, a high-level secret intelligence mission collaborated between the United States Government and British Aristocrats, looking to rebuild a utopian society on Earth. During this mission, Mark encounters an alien chemical substance leaking out of a meteorite that crashed into the mountains of Pakistan amidst the Valley of the Red Dragon. This encounter leaves him with a mutation and strange powers which, ten years later in the year 2060, he uses to defend the world against an army of villains, led by his adversary Nate who pl...
Text by Johanna Burton, Matthew Higgs, Mary Heilmann.
None
Text by Jonathan Crary, Russell Ferguson, Holly Myers.
Mika Rottenberg développe une pratique artistique qui conjugue la réalisation de vidéos, d’installations, de dessins et de sculptures. Dans de nombreuses de ses œuvres, elle met en scène des situations absurdes de travail à la chaîne, souvent interprétées par des femmes. Leurs corps, hors des normes et loin des canons habituels, sont entièrement mobilisés et utilisés comme outils de travail et matières premières. Captivants récits où la fantaisie et l’humour se mêlent à l’étrangeté et où le réel semble se distordre dans la fiction, les films de Mika Rottenberg sont montrés au sein d’installations immersives qui plongent les spectateurs dans leur univers au-delà de l’écran et participent ainsi à brouiller les frontières entre imaginaire et réalité. Livre publié à l’occasion de l’exposition personnelle de Mika Rottenberg au Palais de Tokyo, 23.06 – 11.09 2016
Eclecticism seems to be one of the most recognized features of Chris Marker's work. He is often presented as a filmmaker and a photographer, a poet, a translator, a cartoonist, a visual artist, an editor, a software designer and a television and video director. Given the 50 years since the release of his most well-known film, La Jetée (1963), this volume fosters discussion of the intertwining of photography and cinema within a framework that analyses Marker's influence in film and photography's scholarship. In the last ten years, many books have been published on the subjects of photography and.
Although their role is often neglected in standard historical narratives of the Reformation, the Ottoman Turks were an important concern of many leading thinkers in early modern Germany, including Martin Luther. In the minds of many, the Turks formed a fearsome, crescent-shaped horizon that threatened to break through and overwhelm. Based on an analysis of more than 300 pamphlets and other publications across all genres and including both popular and scholarly writings, this book is the most extensive treatment in English on views of the Turks and Islam in German-speaking lands during this period. In addition to providing a summary of what was believed about Islam and the Turks in early modern Germany, this book argues that new factors, including increased contact with the Ottomans as well as the specific theological ideas developed during the Protestant Reformation, destabilized traditional paradigms without completely displacing inherited medieval understandings. This book makes important contributions to understanding the role of the Turks in the confessional conflicts of the Reformation and to the broader history of Western views of Islam.