Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
British Film Culture in the 1970s
This volume draws a map of British film culture in the 1970s and provides a wide-ranging history of the period.
The Making of "Mammy Pleasant"
"Pleasant's legacy is steeped in scandal and lore. Was she a voodoo queen who traded in sexual secrets? A madam? A murderer? In The Making of "Mammy Pleasant," Lynn M. Hudson examines the folklore of this remarkable woman's real and imagined powers.
The Women of Hammer Horror
The Hammer studio is best known for its horror film output from the mid-1950s through the 1970s. This book provides facts about the hundreds of actresses who appeared in those films, including ones released in the twenty-first century by a resurgent Hammer. Each woman's entry includes her Hammer filmography, a brief biography if available, and other film credits in the horror genre. The book is illustrated with more than 60 film stills and posters.
The Gorehound's Guide to Splatter Films of the 1960s and 1970s
For the uninitiated the author has obligingly supplied a definition for the slasher/splatter film: "Any motion picture which contains scenes of extreme violence in graphic and grisly detail...." For those film viewers who think this is a good thing and are more likely to select The Texas Chainsaw Massacre than The Remains of the Day, or for those who are not quite sure but are nevertheless drawn to the phantasmagoric, or for those horrified by gratuitous violence and blood for blood's sake but are researching this filmic phenomenon, this reference book provides all the gory details. From At Midnight I'll Take Your Soul Away to Zombie 2: The Dead Are Among Us, this book is an exhaustive study of the splatter films of the 1960s and 1970s. After a history of the development of the genre, the main meat of the book is a filmography. Each entry includes extensive credits, alternate names and foreign release titles; availability of the film on videocassette; availability of soundtracks and film novelization; and reviews. Extensive cross-referencing is also included.
Films and Filming
None
British Thrillers, 1950-1979
The three decades following WWII are considered the golden age of the British thriller film. Newer characters like James Bond, along with established icons such as Sherlock Holmes, Miss Marple and The Saint, all contributed to the era's bountiful array of cinematic mystery, danger, excitement and suspense. For the first time, the extensive output of British thrillers from 1950 to 1979 is covered in one volume. Themed chapters cover a total of 845 films including spy thrillers, mystery thrillers, psychological thrillers, action-adventure thrillers, and crime thrillers. Within these chapters, films appear chronologically, each with a synopsis/review. Additional information provided for each film includes production companies and alternate British and U.S. titles, and the work includes eight useful appendices.
Eccentric Laughter
Eccentric Laughter explores new ways to watch postwar British film comedies, arguing that their representations of eccentricity offered a set of possible queer futures for a Britain that had been destabilized by years of conflict and social upheaval. Far from being the apolitical cinema described by previous critics, these comedies—including both perennial favorites from Ealing Studios and neglected films ripe for rediscovery—make a joke of and suggest alternatives to the heterocentric home and family. Referencing a wide range of theories, the book gives details of how these films' comic queernesses are not structured on fixed identities but on an open play of possibilities, depicting eccentricity, artifice, drag, ruins, and the wild in ways that can still offer inspiration for experiments in living today. Engaging with contemporary queer theories and politics, the book argues that these films continue to address questions of urgent relevance to students and other viewers in the twenty-first century. Films discussed include The Belles of St. Trinian's, Genevieve, The Lavender Hill Mob, Simon and Laura, The Stranger Left No Card, and Young Wives' Tale.
Horror and Mystery Photoplay Editions and Magazine Fictionizations
Photoplay editions were usually hardcover reprints of novels that had been made into movies, illustrated with photographs from the film productions. Sometimes, instead, they were "fictionized" versions of film scripts, rewritten in narrative form. Here is an annotated checklist of more than 500 horror and mystery photoplay novels and magazine fictionizations, collected over a period of four decades. Photo-illustrated stories that are not strictly in the horror or mystery genres are included if they are linked to films with such stars as Lon Chaney, Boris Karloff, Bela Lugosi, or other genre figures. Mysteries are generally defined as novels or stories featuring a detective as the central cha...
The British Invasion of the River Plate, 1806–1807
In 1806 a British expeditionary force captured Buenos Aires. Over the next eighteen months, Britain was sucked into a costly campaign on the far side of the world. The Spaniards were humbled on the battlefield and Montevideo was taken by storm, but the campaign ended in disaster when 6000 redcoats and riflemen surrendered following a bloody battle in the streets of the Argentine capital. So ended one of the most humiliating and neglected episodes of the entire Napoleonic Wars.In The British Invasion of the River Plate Ben Hughes tells the story of this forgotten campaign in graphic detail. His account is based on research carried out across two continents. It draws on contemporary newspaper ...
