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Picturing the Past
This survey of British historical films of the 1930s and 1940s offers an account of the attitudes of official bodies, film-makers and audiences to the costume film. Archive records unearthed by Sue Harper reveal the extent to which government agencies and institutions attempted to influence the cinematic representation of history. This book goes on to contrast the work of a range of key producers and charts the vagaries of audience response.
Women in British Cinema
This book takes a broad perspective and analyses the ways in which the British film industry has dealt with women and their creativity from 1930 to the present. The first part of the book deals comprehensively with different historical periods in British film culture, showing how the 'agency' of production company, director, distribution company or scriptwriter can bring about new patterns of female stereotyping. The second part looks at the input of women workers into the film process. It assesses the work of women in a variety of roles: directors such as Wendy Toye and Sally Potter, producers such as Betty Box, scriptwriters such as Clemence Dane and Muriel Box, costume designers such as Shirley Russell and Jocelyn Rickards, and editors and art directors. This is a polemical book which is written in a lively and often confrontational manner. It uses fresh archival material and takes energetic issue with those explanatory models of film analysis which impose easy answers onto complex material.
One Strong Girl
One Strong Girl is a mother's vivid account of what it is like to lose her daughter, India, to a rare debilitating disease. The story is a bold description of what it means to deal with deep sorrow and still find balance and beauty in an age steeped in the denial of death. At ten, India climbed the highest on the rope at gymnastics, yet by sixteen was so weak she was unable to even dress herself. The narrative follows the six-year fight for answers from the medical community. Finally, after the genetic testing of India's DNA, it was discovered there were two mutations on her ASAH1 gene, a deadly combination. Today her cells are alive in a research lab at the University of Ottawa. This is a legacy that cuts both ways, a point of pride and pain. One Strong Girl is a story of what it's like to outlive an only child. It describes the intensity of loving a dying child and most importantly, the joy to be found, even amidst the sorrow.
Oracle SQL Developer 2.1
Design and Develop Databases using Oracle SQL Developer and its feature-rich, powerful user-extensible interface with this book and eBook.
Winter in the City of Light
About two things, Sue Harper was absolutely certain. Paris was the most exciting city in the world and retirement was supposed to be a time when anything was possible. But she was terrified. From the tragic life of a French diva to the story of a Jewish family destroyed by the Nazis, Harper discovered connections to Paris and to herself as she struggled with retirement. When the rush of post-work life - that time when everything seemed possible - crashed into the panic of "Oh-oh, what now?" Harper felt rootless and disengaged. Worse still, from the outside, her retirement looked perfect. She and her partner travelled, skied in two hemispheres, and seemed to have it all. But at home, she filled her days with obsessive exercising, coffee dates and endless hours of mindless television. Then her partner was accepted into an art course in Paris. Harper claimed she was going to be like Hemingway, become a flâneur and write about her adventures. She knew it was a lie. But slowly, as she mapped out her walks through cobblestoned neighbourhoods, city cemeteries and halls of ancient Greek vases in the vast Louvre museum, she found her way back to herself.
Monogamy
'Penetrating, intelligent, humane, funny too ... Smart and powerfully alive' Tessa Hadley 'Superb' Daily Mail 'A poignant page-turner, delving deep into our most intimate relationships' Evening Standard Annie is the great love of Graham's life. Here they are in late middle-age, the photographer and the bookseller, so mismatched and yet so well-matched. Theirs is a happy marriage of nearly thirty years - and even the happiest of marriages, Graham tells himself, have their secrets. Then the unthinkable happens, and suddenly Annie is alone, stumbling in the dark. How much can we ever know the people who love us? 'With what exquisite truth Sue Miller writes ... I was completely wrapped up in the beautifully, and often so tenderly observed rollercoaster of grief. An invaluably moving book' Juliet Nicolson 'It's absolutely wonderful - detailed, precise emotions that Miller gets down in such a tender moving way ... Devasting. Brilliant' Claire Fuller
The Writer's Craft
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The 10 Most Extreme Vacations
Profiles ten of the most extreme vacations, including rodeo school, exploring a volcano, and ice diving.
Peggy Sue Got Murdered
Medical examiner M.J. Novak's investigation of a woman's death leads her to suspect an incipient epidemic.
