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Black London
In Black London, Gretchen Gerzina shows how by the eighteenth century the work of all kinds of artists - Hogarth, Reynolds, Gillray, Rowlandson - as well as work by poets, playwrights and novelists, reveals to sharp eyes that not everyone in that elegant, vigorous, earthy world was white. In fact there were black pubs and clubs, balls for blacks only, black churches, and organizations for helping blacks out of work or in trouble. Many blacks were prosperous and respected: George Bridgtower was a concert violinist who knew Beethoven; Ignatius Sancho corresponded with Laurence Sterne; Francis Williams studied at Cambridge. Others, like Jack Beef, were successful stewards or men of business. Bu...
Britain's Black Past
Expanding upon the 2017 Radio 4 series ‘Britain’s Black Past’, this book presents those stories and analyses through the lens of a recovered past. Even those who may be familiar with some of the materials will find much that they had not previously known, and will be introduced to people, places, and stories brought to light by new research. In a time of international racial unrest and migration, it is important not to lose sight of similar situations that took place in an earlier time. In chapters written by scholars, artists, and independent researchers, readers will learn of an early musician, the sales of slaves in Scotland, the grave—now a shrine—of a black enslaved boy left to die in Morecombe Bay, of a country estate owned by a mixed-race slave owner, and of the two strikingly different people who lived in a Bristol house that is now a museum. Black sailors, political activists, memoirists, appear in these pages, but the book also re-examines living history, in the form of modern plays, television programmes, and genealogical sleuthing. Through them, Britain’s Black Past is not only presented anew, but shown to be very much alive in our own time.
Mr. and Mrs. Prince
Lucy Terry was a devoted wife and mother, and the first known African-American poet. Abijah Prince, her husband, was a veteran of the French and Indian Wars and an entrepreneur. Together they pursued what would become the cornerstone of the American dream — having a family and owning property where they could live, grow, and prosper. When bigoted neighbors tried to run them off their own property, they asserted their rights, as they would do many times, in court. Merging comprehensive research and grand storytelling, Mr. and Mrs. Prince reveals the true story of a remarkable pre-Civil War African-American family, as well as the challenges that faced African-Americans who lived in the North...
Black England
'The classic book on Black people in Georgian London' DAVID OLUSOGA 'Deeply researched, lucidly written and utterly fascinating . . . If you ever thought Black British history started with Windrush, read this book' GREG JENNER Georgian England had a large and distinctive Black community. There were special churches, Black-only balls, many became famous and respected. But all, whether prosperous citizens or newly freed slaves, lived under the constant threat of kidnap and sale to plantations. Black England tells their stories, bringing their triumphs and tortures to vivid life, revealing a dramatic forgotten chapter of our shared past. 'Black England taught me more history than I ever learned at school. Gretchen Gerzina tells it as it was, so we know how it is . . . a book that will be relevant for ever' BENJAMIN ZEPHANIAH
Frances Hodgson Burnett
Burnett's life was full of those reversals of fortune that mark her work. Following modest beginnings in mid-Victorian Manchester, she arrived in post-Civil War Tennessee at the age of fifteen with her widowed mother and two sisters. Burnett was the breadwinner of the family from the age of seventeen, eventually publishing a total of fifty-two books and writing and producing thirteen plays. She made and spent a fortune in her lifetime, was generous and profligate, yet anxious about money and obsessively hardworking.
Carrington
This volume is a biography of English artist Dora Carrington (1893-1932). She was known generally simply as "Carrington" and she is remembered in part for her association with members of the Bloomsbury Group, especially the writer Lytton Strachey. Carrington's paintings illustrated her life, and the houses she shared with Strachey. She was an autobiographical painter, choosing as her subjects the people and places around her and distilling her emotions about them into images of "limpid intensity . . . her landscapes especially express a heightened sense of place that seems to well up from the unconscious."
Black Victorians/Black Victoriana
Black Victorians/Black Victoriana is a welcome attempt to correct the historical record. Although scholarship has given us a clear view of nineteenth-century imperialism, colonialism, and later immigration from the colonies, there has for far too long been a gap in our understanding of the lives of blacks in Victorian England. Without that understanding, it remains impossible to assess adequately the state of the black population in Britain today. Using a transatlantic lens, the contributors to this book restore black Victorians to the British national picture. They look not just at the ways blacks were represented in popular culture but also at their lives as they experienced them--as worke...
The Making of a Marchioness (Emily Fox-Seton, Complete)
This carefully crafted ebook: "The Making of a Marchioness + The Shuttle (2 Unabridged Classic Romances)" contains 2 books in one volume and is formatted for your eReader with a functional and detailed table of contents. Frances Hodgson Burnett worked on two books simultaneously: The Shuttle, a longer and more complicated book; and The Making of a Marchioness, which she wrote in a few weeks and published to good reviews. it is about the rejuvenating effects of Americans and American money on a somewhat decadent English aristocracy. The Making of a Marchioness (1901) It was originally published in two parts: the first tells the fairy tale-like story of how our heroine, Emily Fox-Seton, became...
Carrington
Wyndham Lewis portrayed her as a tiny sex therapist, D. H. Lawrence as a frivolous artist's model and, elsewhere, as a gang-raped aesthete, and Aldous Huxley as jargon-speaking ultra-modern girl. Because of her Bohemian lifestyle, connection with the Bloomsbury group, her bobbed hair and outspoken views, painter Dora Carrington seems to symbolize the 'new' woman of the early 20th century. But the reality is more complex than that. While sexuality, infidelity and modernity were undeniably aspects of her personality, they were equally balanced by a loathing of her own femaleness, a devotion for 17 years with one man - albeit the homosexual Lytton Strachey, and respect for many aspects of traditional English life. Here is a vivid and compelling portrait of a remarkable woman -described by Lady Ottoline Morrell as 'a strange wild beast'.
Frances Hodgson Burnett
A woman of contrasts and paradoxes, Frances Hodgson Burnett was equally at home in Britain and US and revelled in straddling both countries attitudes and opportunities. This work looks at quintessentially British-seeming writer.
