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Grand Gestures
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Politics
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Dimensions. Journal of Architectural Knowledge
»Dimensions. Journal of Architectural Knowledge« is an academic journal in, on, and from the discipline of architecture, addressing the creation, constitution, and transmission of architectural knowledge. It explores methods genuine to the discipline and architectural modes of interdisciplinary methodological adaptions. Processes, procedures, and results of knowledge creation and practice are esteemed coequally, with particular attention to the architectural design and epistemologies of aesthetic practice and research. »Collaborations: Rethinking Architectural Design«, Issue 05/2023, edited by Elettra Carnelli, Federico Marcolini, Fabio Marino, and Rafael Sousa Santos, explores the impac...
Metamorphism
Materiality is a recurring and central issue in architecture. This book explains how materials are "constructed", how they become cultural substances. Metamorphism investigates the complex relationship between natural materials and technology, science and sensuality. Gottfried Semper (1803–1879) made the notion of Stoffwechsel the key element of his theory. With this concept he intended to explain how a structural form originally bound to a method of processing is transferred from one material to another, liberated from its original function. For the first time, the book investigates the subject from a historic point of view whilst reflecting on current interdisciplinary research. Examples from Aalto to Zumthor illustrate the specific aspects of historic and contemporary material concepts.
Industries of Architecture
At a time when the technologies and techniques of producing the built environment are undergoing significant change, this book makes central architecture’s relationship to industry. Contributors turn to historical and theoretical questions, as well as to key contemporary developments, taking a humanities approach to the Industries of Architecture that will be of interest to practitioners and industry professionals, as much as to academic researchers, teachers and students. How has modern architecture responded to mass production? How do we understand the necessarily social nature of production in the architectural office and on the building site? And how is architecture entwined within wider fields of production and reproduction—finance capital, the spaces of regulation, and management techniques? What are the particular effects of techniques and technologies (and above all their inter-relations) on those who labour in architecture, the buildings they produce, and the discursive frameworks we mobilise to understand them?
City, Climate, and Architecture
The publication rethinks climate control – a key concern of the discipline of architecture – through the lens of city climate phenomena over the course of the 20th century. Based on a history of climate control on urban scales, it promotes the integration of indoors and outdoors in order to reduce environmental and thermal loads in cities. Just as heating and cooling practices inside the buildings are affecting the (urban) climate outdoors, urban heat islands are influencing the energy requirements and thermal conditions inside the buildings. While the first part of the book focuses on the interwar period in Europe, the publication’s second part considers examples from all over the globe, tracing the growing significance of ecological thinking for the design of urban environments.
Discovering Early Modernism in Switzerland
An insightful and engagingly narrated exploratory work on a pioneer of modern architecture from Switzerland The Queen Alexandra Sanatorium in Davos is a masterpiece of early modernist architecture by the Swiss architects Pfleghard & Haefeli (Schatzalp, Davos) and the renowned civil engineer and bridge builder Robert Maillart. A new form of architecture was forged here, full of contradictions and compromises and the result of intense collaboration between engineer, architect, and client. It stands at the threshold of modernism, which is largely characterized by the use of reinforced concrete. Apart from certain early mentions in architectural history, very little has been written about this Swiss precursor of modernist architecture. Drawing on numerous archival records, Daniel Korwan now provides the first detailed chronology of this 1909 building, thus expanding the record on the historical reception of modernism. First publication on a Swiss building that prefigured modern architecture Unpublished illustrations and plans of the Queen Alexandra Sanatorium in Davos Insightful and engagingly narrated new contribution to the study of 20th century modernism
Towards a Critique of Architecture’s Contemporaneity
Pursuing historical analogies between nineteenth-century theories and the current practices captivated by digital reproducibility, this book offers a critical take on architecture’s contemporaneity through four essays: tectonics, materiality, cladding, and labor. Fundamental to this proposition is the historicity of Gottfried Semper’s theorization of architecture amidst the outpouring of new materials and construction techniques during the 1850s. Starting with Semper’s differentiation between theatricalization and the tectonic of theatricality, this book examines thematic essential to architecture’s self-representation. Even though the title of this book recalls the Semperian Four El...
The Cornice
Perspectives on the cornice in architecture from early modern to contemporary times. Since the rise of avant-garde modernism, the cornice has kept a low profile. Dismissed by Le Corbusier but celebrated by Erich Mendelsohn in the form of architectural rally stripes, the cornice was finally rehabilitated in the age of postmodernism. In contemporary architecture it leads a secret life between shadow gap and gutter, often reduced to the practical aspect of keeping water off the façade. Historically, however, the cornice was the crowning element of architecture. Drawn, measured, and theorized over centuries, the cornice established meaningful architectural order beyond the classical era. Much more than just a decorative element, the cornice played a crucial role in mediating between an individual and space.
ABC
Constructivism is widely thought of as a Russian phenomenon, but as Sima Ingberman shows in this first comprehensive study of the architectural group ABC, it was an influential international movement. Ingberman brings to light a rich array of historical documentation, charting for the first time Lissitzky's particular alliance with ABC and tracing ABC's influences and developments, formal, material, constructional, and ideological.
