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The devotion to Our Lady of Guadalupe, based on the story of apparitions of the Virgin Mary to Juan Diego, an Indian neophyte, at the hill of Tepeyac in December 1531, is one of the most important formative religious and national symbols in the history of Mexico. In this first work ever to examine in depth every historical source of the Guadalupe apparitions, Stafford Poole traces the origins and history of the account, and in the process challenges many commonly accepted assumptions and interpretations. Poole finds that, despite common belief, the apparition account was unknown prior to 1648, when it was first published by a Mexican priest. And then, the virgin became the predominant devotion not of the Indians, but of the criollos, who found in the story a legitimization of their own national aspirations and an almost messianic sense of mission and identity. Poole finds no evidence of a contemporary association of the Virgin of Guadalupe with the Mexican goddess Tonantzin, as is frequently assumed, and he rejects the common assertion that the early missionaries consciously substituted Guadalupe for a preconquest deity.
Nearly a decade after Spain's conquest of Mexico, the future of Christianity on the American continent was very much in doubt. Confronted with a hostile colonial government and Native Americans wary of conversion, the newly-appointed bishop-elect of Mexico wrote to tell the King of Spain that, unless there was a miracle, the continent would be lost. Between December 9 and December 12, 1531, that miracle happened, and it forever changed the future of the continent. It was then that the Virgin Mary famously appeared to a Native American Christian convert on a hilltop outside of what is now Mexico City. The image she left imprinted on his cloak or tilma has puzzled scientists for centuries, and...
Grandma Lupita tells her granddaughter Rose and Rose's friend, Terry, the story about Our Lady of Guadalupe and the miracle that occurred near Mexico City in 1531. Includes facts about the event and its influence.
Pop-ups, pull tabs, and other moveable features illustrate scenes from the story of Juan Diego and Our Lady of Guadalupe.
"A revised and expanded edition of this seminal history of the origins of the Guadalupe apparitions"--Provided by publisher.
THE CATHOLIC ENCYCLOPEDIA: AN INTERNATIONAL WORK OF REFERENCE ON THE CONSTITUTION, DOCTRINE, DISCIPLINE, AND HISTORY OF THE CATHOLIC CHURCH CHARLES G. HERBERMANN — The Greatest and Largest Catholic Encyclopedia in existence! — Complete Edition; Includes all 16 Volumes, now updated according to Alphabet — 11,490 Articles, over 14 Million Words, equivalent to 175 Full-length Books! — Includes an Active Index to each Alphabet and all Articles, with NCX Navigation — Includes Illustrations by Gustave Dore Publisher: This E-Book is very large. Please ensure you have sufficient resources on your device before purchase. The Catholic Encyclopedia, as its name implies, proposes to give its r...
For Mexican Catholic women in the United States, devotion to Our Lady of Guadalupe-La Virgen-is a necessary aspect of their cultural identity. In this masterful ethnography, María Del Socorro Castañeda-Liles considers three generations of Mexican-origin women between the ages of 18 and 82. She examines the Catholic beliefs the women inherited from their mothers and how these beliefs become the template from which they first learn to see themselves as people of faith. She also offers a comprehensive analysis of how Catholicism creates a culture in which Mexican-origin women learn how to be "good girls" in a manner that reduces their agency to rubble. Through the nexus of faith and lived experience, these women develop a type of Mexican Catholic imagination that helps them challenge the sanctification of shame, guilt, and aguante (endurance at all cost). This imagination allows these women to transgress strict notions of what a good Catholic woman should be while retaining life-giving aspects of Catholicism. This transgression is most visible in their relationship to La Virgen, which is a fluid and deeply engaged process of self-awareness in everyday life.
Recounts the story of Juan Diego, who hears the voice of the Virgin Mary asking him to petition the bishop for a shrine to be built in her honor, but to which the bishop will not agree unless Juan can bring him a sign.
Juan Diego, to whom the Virgin Mary appeared in 1531 miraculously imprinting her likeness on his cape, was canonised in Mexico in 2002 by Pope John Paul II. In 1999, the revered image of Our Lady of Guadalupe had been proclaimed patron saint of the Americas by the Pope. How did a poor Indian and a sixteenth-century Mexican painting of the Virgin Mary attract such unprecedented honours? Across the centuries the enigmatic power of the image has aroused fervent devotion in Mexico: it served as the banner of the rebellion against Spanish rule and, despite scepticism and anti-clericalism, still remains a potent symbol of the modern nation. This book traces the intellectual origins, the sudden efflorescence and the adamantine resilience of the tradition of Our Lady of Guadalupe and will fascinate anyone concerned with the history of religion and its symbols.
One morning, while walking to an early church service, Juan Diego hears a voice calling, "Juanito Juan Dieguito " He comes face to face with the Virgin Mary "I would like a shrine built on this hill," she tells him, and she instructs him to take her wish to the bishop. Juan Diego, a lowly peasant, protests that the bishop will pay no attention to him, but the Virgin says that she will protect him. Juan Diego visits the bishop three times, but only after he brings a sign from the Virgin, a bunch of roses that are miraculously blooming in December, does the bishop relent and agree to the Virgin's request. From then on, the image of the Virgin is imprinted on Juan Diego's rough cactus-fiber tilma, the cloak in which he carried the roses. Today, millions of pilgrims visit the shrine and pray before the image of Our Lady of Guadalupe. Tonya Engel's sweeping oil-and-encaustic illustrations capture 16th-century Mexican country and city landscapes with stunning clarity. An Author's Note about the origins of the legend and miracle is included.