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O'Carolan Favorites for Classical Guitar
  • Language: en

O'Carolan Favorites for Classical Guitar

In this edition, Guido Böger provides 72 further compositions by the legendary Irish harpist Turlough O’Carolan, arranged for classical guitar. These solo pieces are generally of intermediate difficulty, and convey the beautiful, lyrical qualities of the original tunes. This expanded selection of the melodies has not been organized into any set of themes or forms; however, along with his Turlough O’Carolan Irish Harp Pieces for Classical Guitar, O’Carolan’s Laments have now been arranged in their entirety. These pieces will provide the guitarist with a wonderful collection of new and fascinating pieces for use in study, concerts, or for your musical pleasure.

Classical Guitar Tunes - O'Carolan Airs
  • Language: en
  • Pages: 92

Classical Guitar Tunes - O'Carolan Airs

O’Carolan Airs features further arrangements of the complete repertoire of Irish harpist Turlough O’Carolan. The solo pieces are generally intermediate in difficulty, and convey the beautiful, lyrical qualities of the original tunes. This book is a follow-up to Guido Böger’s Turlough O'Carolan Irish Harp Pieces for Classical Guitar and O’Carolan Favorites for Classical Guitar. It contains 61 arrangements written in standard notation, ideal for practice, concerts or recreation.

Turlough O'Carolan Irish Harp Pieces for Classical Guitar
  • Language: en
  • Pages: 41

Turlough O'Carolan Irish Harp Pieces for Classical Guitar

24 compositions by the legendary Irish harpist, Turlough O'Carolan scored for classic guitar solo. the solos are intermediate in difficulty and convey the beautiful, lyrical quality of the original harp compositions. As a bonus, two of the solos are also scored for baroque guitar. A companion recording is available as an internet download.

O'Carolan for Classical Guitar
  • Language: en
  • Pages: 97

O'Carolan for Classical Guitar

O’Carolan for Classical Guitar is the fourth and final volume of Guido Böger’s classical guitar arrangements of the 214 compositions of the itinerant blind Irish harper, Turlough O'Carolan (1670–1738). This last collection includes 58 solo pieces, including O’Carolan’s variations on two Scottish airs. These settings are generally intermediate in difficulty and reflect the beauty and lyricism of the original melodies, most of which are tribute tunes named for O’Carolan’s patrons: Colonel O’Hara, John O’Connor, Mrs. O’Connor, Lady Wrixon, General Wynne, Captain O’Neil, The Landlady, etc. The works are meticulously written in standard notation and are ideal for sight-reading practice, personal enjoyment, or concert performance. Moderate left-hand fingering and string numbering are provided in these well-crafted arrangements. Along with his previous Mel Bay editions, Turlough O'Carolan Irish Harp Pieces for Classical Guitar, O'Carolan Favorites and O'Carolan Airs, this book completes Guido Böger's comprehensive O'Carolan series. The set of four books would make a great gift, particularly for an Irish guitarist.

O'Carolan Favorites for Classical Guitar
  • Language: en
  • Pages: 100

O'Carolan Favorites for Classical Guitar

In this edition, Guido Bger provides 72 further compositions by the legendary Irish harpist Turlough OCarolan, arranged for classical guitar. These solo pieces are generally of intermediate difficulty, and convey the beautiful, lyrical qualities of the original tunes. This expanded selection of the melodies has not been organized into any set of themes or forms; however, along with his Turlough OCarolan Irish Harp Pieces for Classical Guitar, OCarolans Laments have now been arranged in their entirety. These pieces will provide the guitarist with a wonderful collection of new and fascinating pieces for use in study, concerts, or for your musical pleasure.

Irish Art Songs
  • Language: en
  • Pages: 65

Irish Art Songs

This delightful collection of Irish songs has been compiled and set as Art Songs by the European Duo Chitarra Canta, featuring soprano and flutist, Meg Fitzgerald, and classical guitarist, Guido Böger. Having noted the dearth of good concert literature for this type of duo, the performers, both well-versed in the Celtic and Classical music traditions, and adept at creating their own arrangements, decided to include such songs in their programs. with this volume, they want to share them with other performers and enthusiasts. These songs can be used equally well for the stage, recitals, pub singing, and private events, or for simple pleasure. the collection consists of a wide variety of songs...

Stephen Foster For Classic Guitar
  • Language: en
  • Pages: 97

Stephen Foster For Classic Guitar

These melodies of Stephen Collins Foster have been freely adapted from the original songs, and will enrich the repertoire of the solo guitar through their colorful variety. These settings appear in standard guitar notation, complete with fingerings. Although conceived principally for interpretation on the classical guitar, many of these pieces also lend themselves well to being played on the steel-string guitar

Irish Art Songs
  • Language: en
  • Pages: 64

Irish Art Songs

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Irish Folk Songs for Classical Guitar
  • Language: en
  • Pages: 48

Irish Folk Songs for Classical Guitar

Author Steve Marsh has spent many years playing guitar in the folk clubs of the United Kingdom where Irish music is in abundance. This collection draws from his extensive collection of original arrangements of traditional tunes. the songs vary in style and can be grouped into sets for use in a recital program. Many of the folk songs have been handed down from generation to generation so several versions of a song may exist. Therefore, the author has taken a few liberties with the tempo and rhythmic structures of a limited number of tunes in this collection. In general, the pieces in this album range from moderate standard to difficult. In standard notation only.

  • Language: en
  • Pages: 302

"La gare de temps. A lifetime's story"

Literature and philosophy are closely intertwined in this work "symphonic" and autobiographical multi-voice, which are reviewed in all eras of the author's life, from childhood in Sicily, adolescence and youth in Perugia, and then arrive in Rome via Naples, Milan, Kingston-upon-Hull and Zurich, CH (but not necessarily in that order) to finally return to Perugia after nearly fifteen years of "presence / absence". In it is described a descending parabola in which it appears a world once happy and serene that slowly sank into darkness and oblivion, according to the classical scheme of the decline of the West as described by some authors who have been of inspiration to its author: Heidegger, Sch...