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String Virtuosi in Eighteenth-Century Naples
Drawing on extensive archival work, this book examines the crucial contribution of Neapolitan string virtuosi to the dissemination of instrumental music and to the development of string practices and musical culture in Europe. It presents a fresh look at the central place of instrumental music in early modern Naples and considers aspects of music pedagogy, performance practices, patronage, and musicians' social mobility. Music examples, paintings, and lists of personnel of major music institutions inform the discussion and illustrate the opportunities for social mobility afforded by the music profession. Music production and consumption are considered within their cultural, political, and economic contexts and in connection with the rapid political changes of eighteenth-century Naples. This substantial contribution to the understanding of a previously under-studied repertory places the cultivation of Neapolitan instrumental music at the centre of aesthetic and cultural developments across eighteenth-century Europe.
String Virtuosi in Eighteenth-Century Naples
A compelling new study of instrumental music in early modern Naples and of the string virtuosi who disseminated it through Europe.
Instrumental Music in Late Eighteenth-Century Naples
This book demonstrates the cultivation of instrumental genres by Neapolitan musicians and its significant stature at the royal court. Drawing on archival documents and musical sources, it paints a compelling history of local instrumental music culture and contributes to a wider ethnographic portrait of Naples in the late eighteenth-century.
Bel Canto Bully
Unscrupulous, devilishly ambitious and undeniably charismatic, Domenico Barbaja was the most celebrated Italian impresario of the early 1800s and one of the most intriguing characters to dominate the operatic empire of the period. Dubbed the "Viceroy of Naples", Barbaja managed both the Teatro di San Carlo in Naples and La Scala in Milan. He was the influential force behind the careers of a plethora of artists including Vincenzo Bellini, Gioachino Rossini and the great mezzo-soprano Isabella Colbran, who became Barbaja's lover before eventually deserting him to marry Rossini. Most vitally, Barbaja's vision had an irrevocable impact on the history of Italian opera; determined to create a lucr...
Onomastics of the “Chanson de Roland”
This ambitious study of all proper names in the Chanson de Roland is based for the first time on a systematic survey of the whole geographical and historical literature from antiquity to after 1100 for the Geographica, and on working through (almost) the entire documentary tradition of France and its neighbouring regions from 778 to the early 12th century for the personal names. The overall result is clear: the surviving song is more tightly and profoundly structured, even in smaller scenes, than generally assumed, it is also richer in depicting reality, and it has a very long prehistory, which can be traced in outline, albeit with decreasing certainty, (almost) back to the Frankish defeat o...
Structures of Feeling in Seventeenth-century Cultural Expression
Essays based on papers presented at four international conferences held at the UCLA Clark Library, 2005.
Riversong of the Rhone
Nearly seventy years after the death of Charles Ferdinand Ramuz (1878-1947), it is safe to say that the reputation of Switzerland’s legendary poet of the people is secure, at least in French. Since 2005, his 22 novels have appeared in a two-volume Pléiade Edition from Gallimard (Paris) and Éditions Slatkine in Geneva has completed 29 volumes of Ramuz’s Oeuvres Complètes (Complete Works). The author’s slightly blurred face has been on the Swiss 200-franc note for years and his Histoire du Soldat (A Soldier’s Tale), written in collaboration with Igor Stravinksy in 1918, can easily be found on You Tube. But only recently have English translations of Ramuz’s novels begun to appear a...
