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Guido
Guido is the authors first novel he is a retired General and Electrical Contractor and lives with his wife in the wine country of Napa Valley California. He was born in Brooklyn New York and left at age thirty then traveled the country and eventually landed in San Francisco in the 1970. By amazing coincidence he met my wife with in the first month in San Francisco and she was also an expatriate from Brooklyn. His first job was in carpentry then buying and selling refurbished houses then started an Electrical contracting business in San Francisco. He moved on to hard wiring computer systems for telecommunications company in northern and central California until his retirement. He and his wife...
Guido Culture and Italian American Youth
From Saturday Night Fever to Jersey Shore, Italian American youth in New York City have appropriated—and been appropriated by—popular American culture. Here, Donald Tricarico investigates how Italian ethnicity has been used to fashion Guido as a distinct youth style that signals inclusion in popular American culture and, simultaneously, the making of a new ethnic subject. Emerging from a wave of Italian immigration after World War II in outer borough neighborhoods such as Bensonhurst, the story of the Guido is an Italian American story, symbolizing the negotiation of a negatively privileged ethnicity within American society. Tricarico takes up questions about the definition of Guido, the role of disco, and the identity politics of Jersey Shore in order to reconsider the significance of Guido for the study of Italian American ethnicity.
The Wizards of Spin
The Wizards of Spin is a series of satirical stories based on real news events and the celebrity media stars who deliver the headlines and commentary to America each day. With so much interest in news and talk show celebrities, author John Ruane has created these fictional stories to capture the wackiness of the current star-crazed news cycle. Besides O'Reilly and Olbermann, stories are based on Oprah, Chris Matthews, David Letterman, Jay Leno, Matt Lauer, Diane Sawyer, Stephen Colbert, Jon Stewart, Katie Couric and many more.
Broadway Musicals, 1943-2004
On March 31, 1943, the musical Oklahoma! premiered and the modern era of the Broadway musical was born. Since that time, the theatres of Broadway have staged hundreds of musicals--some more noteworthy than others, but all in their own way a part of American theatre history. With more than 750 entries, this comprehensive reference work provides information on every musical produced on Broadway since Oklahoma's 1943 debut. Each entry begins with a brief synopsis of the show, followed by a three-part history: first, the pre-Broadway story of the show, including out-of-town try-outs and Broadway previews; next, the Broadway run itself, with dates, theatres, and cast and crew, including replacements, chorus and understudies, songs, gossip, and notes on reviews and awards; and finally, post-Broadway information with a detailed list of later notable productions, along with important reviews and awards.
The Worlds of Gerry and Sylvia Anderson
Thunderbirds, Stingray, Fireball XL5, Captain Scarlet and the Mysterons, UFO and Space:1999 just some of the TV series produced by Gerry and Sylvia Anderson that have thrilled generations of people worldwide from the 1960s right into the 21st Century. As the new series Thunderbirds Are Go! updates the exploits of International Rescue for a new era, Ian Fryer, film historian and editor of Gerry Anderson s official appreciation society magazine, brings an in-depth look into the making of the iconic television shows that inspired it. The background to the making of the Supermarionation series, and the live action science fiction classics that followed, is brought to life along with the turbulent times for British film making in which they were made. A fascinating read for fans of the Anderson puppet and live action series and for anyone interested in film and television history."
Culture/contexture
The rapprochement of anthropology and literary studies, begun nearly fifteen years ago by such pioneering scholars as Clifford Geertz, Edward Said, and James Clifford, has led not only to the creation of the new scholarly domain of cultural studies but to the deepening and widening of both original fields. Literary critics have learned to "anthropologize" their studies--to ask questions about the construction of meanings under historical conditions and reflect on cultural "situatedness." Anthropologists have discovered narratives other than the master narratives of disciplinary social science that need to be drawn on to compose ethnographies. Culture/Contexture brings together for the first ...
Travesties and Transgressions in Tudor and Stuart England
In Travesties and Transgressions, David Cressy examines how the orderly, Protestant, and hierarchical society of post-Reformation England coped with the cultural challenges posed by beliefs and events outside the social norm. He uses a series of linked stories and close readings of local texts and narratives to investigate unorthodox happenings such as bestiality and monstrous births, seduction and abortion, excommunication and irregular burial, nakedness and cross-dressing. Each story, and the reaction it generated, exposes the strains and stresses of its local time and circumstances. The reigns of Elizabeth, James, and Charles I were witness to endless religious disputes, tussles for power within the aristocracy, and arguments galore about the behaviour and beliefs of common people. Questions raised by 'unnatural' episodes were debated throughout society at local and national levels, and engaged the attention of the magistrates, the bishops, the crown, and the court. The resolution of such questions was not taken lightly in a world in which God and the devil still fought for people's souls.
Culture/Contexture
The rapprochement of anthropology and literary studies, begun nearly fifteen years ago by such pioneering scholars as Clifford Geertz, Edward Said, and James Clifford, has led not only to the creation of the new scholarly domain of cultural studies but to the deepening and widening of both original fields. Literary critics have learned to "anthropologize" their studies—to ask questions about the construction of meanings under historical conditions and reflect on cultural "situatedness." Anthropologists have discovered narratives other than the master narratives of disciplinary social science that need to be drawn on to compose ethnographies. Culture/Contexture brings together for the first...
