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Indira Bai
Indira Bai, born in an orthodox Saraswat Brahmin family in the small town of Kamalapura, is married and widowed as a child. The bright, curious girl resists forces of social conservatism—the mindless chores and cruel rituals of widowhood. To reform her, the head of the religious mutt is brought in. When he tries to seduce her, a distraught Indira runs away to eminent lawyer Amrita Raya’s house. Encouraged in her pursuit of knowledge and freedom, Indira acquires a matriculation degree and later chooses to marry Assistant Collector Bhaskara Rao. This novel, laced with feminist intent, traces Indira’s self-fashioning into a modern, educated, and assertive woman. Published in 1899, Indira Bai documents the transformation of the Saraswat Brahmin community based in the erstwhile South Canara region of Karnataka due to the encounter between the Kannada social world and colonial modernity. Simultaneously, this text of social history represents the pan-Indian churning provoked by the reform movement in the nineteenth century, with its central focus on the condition of women.
Modern Indian Literature, an Anthology: Surveys and poems
This Is The First Of Three-Volume Anthology Of Writings In Twenty-Two Indian Languages, Including English, That Intends To Present The Wonderful Diversities Of Themes And Genres Of Indian Literature. This Volume Comprises Representative Specimens Of Poems From Different Languages In English Translation, Along With Perceptive Surveys Of Each Literature During The Period Between 1850 And 1975.
Indira Bai
Published in 1899, Gulvadi Venkata Rao's Indira Bai is a text of social history that documents the wide-ranging transformation that took place in the ineluctable encounter between the Kannada social world and colonial modernity. Indira Bai, acknowledged as the first, independent, social novelin Kannada, chronicles the changes that rocked the Saraswat brahman community in the erstwhile South Canara region of Karnataka, at the turn of the nineteenth century.Indira Bai reflects the pan-Indian churning provoked by the social reform movement which had focused on the women's question in a major way. This narrative of the nation tells you the moving tale of Indira, a child widow who stands up to a corrupt religious orthodoxy and remarries an upright,educated man. It actively participates, as do many other first novels in Indian languages such as Indulekha, in the fashioning of a new, secular self in an emerging modern, national culture. Reading this text in a new translation has a renewed significance now when local cultures of India have hadto recast their identities again in the face of a globalizing world.
Early Novels in India
This Volume Brings Together Fourteen Essays Written By Literary Critics, Historians And Political Theorists Which Look At The Early Novels In Different Indian Languages And The Circumstances Of Their Production. Most Of The Essays Challenge The Old Assumption That The Novel In India Was A Genre Directly Imported From The West, And Address The Issues Of Plural Heritage And The Economic And Social Determinants That Interacted To Make The Shaping Of This Literary Form A Tangled And Complex Process In Our Languages.
Travel Writing and the Empire
Travel has been a mode of assessment of territory, of knowledge gathering, and of putting a discursive system into place. This volume, edited and introduced by Sachidananda Mohanty, brings to you the range of hidden discourses that constituted and explored the issues central to the political and literary representation of Indian reality, and the politics behind it.
Being Brahmin, Being Modern
There is clearly an academic and political obsession with the ‘idea’ of the Brahmin. There is also, simultaneously, a near-complete absence of engagement with the Brahmin as an embodied person or community. This book addresses this intriguing paradox by making available a sociological description of the Brahmins in today’s Karnataka. It pursues three distinct, yet enmeshed, registers of inquiry – the persona of the ‘Brahmin’ embodied in the agency of the individual Brahmin; the organised complexes of action such as the caste association and the public culture of print; and finally, taking off from a longer (yet, modern and contemporary) history of non-Brahminical othering of the ...
Being Brahmin, Being Modern
Political and academic interest in the idea of the Brahmin notwithstanding, there has been virtually no engagement with the Brahmin as an embodied person or community. This book seeks to address this intriguing paradox in the context of Brahmins in modern-day Karnataka. The book argues that the multivalent worlds of contemporary caste demand that we constantly innovate different modes of approaching it. With this intent, it positions itself against the monographic form and weaves together an ethnography with diverse research techniques such as archival documents, literary works and published writings of caste associations. The Brahmin today, the author argues, cannot be adequately understood as a caste-self that masks its casteness in order to present itself as a secular self. Neither can the Brahmin be seen as a subject that has successfully transcended casteness. As the title of the book suggests, the central tensions that animate the Brahmin self is that of being both Brahmin and modern.
Knit India Through Literature Volume I - The South - Kannada
‘Knit India Through Literature...' is a mega literary project, first of its kind in Indian literature, is the result of the penance-yagna done for 16 years by Sivasankari, noted Tamil writer. 'Knit India Through Literature' has inolved intense sourcing, research and translation of literature from 18 Indian languages. The project she says aims to introduce Indians to other Indians through literature and culture and help knit them together. The interviews of stalwart writers from all 18 languages approved by the eighth schedule of Indian Constitution, accompanied by a creative work of the respective writer are published with her travelogues of different regions, along with an indepth article...
Indira Priyadarshini
"Intensely involved yet withdrawn, unbending, lofty, cool and fearless, Indira made a unique leader."--
