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Bach's St. John Passion for the Twenty-First Century
Since its composition and first performance in 1724, Bach’s St. John Passion has captured the spiritual and musical attention of musicians, audiences, and congregations. This bookexamines this monumental work from a twenty-first century perspective, providing a new and comprehensive examination of the music and libretto. Michael Fuchs and Bradley Jenson explore the historical context of the work as well as its performance history and practice. They address important questions regarding the Gospel of John, Martin Luther’s theology, and anti-Judaism and antisemitism in the libretto. Combining expert theological and musical analysis, as well as a new English translation, this bookis a useful resource for students, musicians, and scholars while being accessible to general audiences with a strong interest in the music of J.S. Bach, highlighting the composer’s compositional creativity.
Music and Theology
The scholar Robin A. Leaver holds a unique place in sacred music scholarship because of his training in both music and theology. He has written widely, bringing acute insights on a variety of musical repertories and topics related to Martin Luther, sixteenth-century psalmody, hymnody, and the sacred music of Johann Sebastian Bach. In Music and Theology, twelve scholars influenced by Leaver's work contribute essays in diverse areas of sacred music history and philosophy, focusing on the intersection of music and theology. Ranging chronologically from the twelfth-century writer and composer Hildegard of Bingen (1098-1179) to present-day considerations of American church music and worship, the volume provides thought-provoking new work for all who study church music. Reflecting the prominent emphasis in Leaver's own scholarship, eight chapters deal with the music of Johann Sebastian Bach, including his organ music, sacred cantatas, and passion settings. A final chapter provides a chronological listing of Leaver's own voluminous writings on music and theology.
J. S. Bach's 'Leipzig' Chorale Preludes
In 2007, the great Bach scholar Anne Leahy died at the age of 46. She was a leading light in Bach studies and lecturer at the Dublin Institute of Technology (DIT) Conservatory of Music and Drama. Posthumously edited by renowned Bach scholar Robin A. Leaver, Leahy's dissertation research forms the basis for this original study of the preludes to Bach's Leipzig chorales. Originally composed in Weimar and later revised in Leipzig, Bach's compositions have been a source of some puzzlement. As Leahy notes, "the original intentions of Bach and the possible purpose of this collection might be regarded as speculative." Working from available sources, however, she argues that through the careful exam...
Hearing Bach's Passions
Daniel Melamed offers a study of Bach's passion settings seeking to familiarise readers with some of the intriguing issues in the study & performance of older music. He explores what it means to listen to this music today.
Do this in Remembrance of Me
Bryan Spinks is one of the world’s leading scholars in the field of liturgy and to have a comprehensive work by him on the Eucharist is a major catch for SCM. Like the author’s previous work on Baptism, this will become a standard work about the Eucharist and Eucharistic theology worldwide. The book, a study of the history and theology of the Eucharist, is the fifth volume in the SCM Studies in Worship and Liturgy series and will help to establish the series as a place for landmark books of liturgical scholarship.
Thine the Amen
The essays in this book, by distinguished musicologists, teachers, and church musicians, reflect the Lutheran musical heritage of the church and contribute new insights into the vibrant and diverse traditions of twenty-first century church music. Thine the Amen is a practical, instructional, and scholarly book. These essays contain something for everyone interested in sacred music, the teacher, the singer, or the listener.
A Brief History of Christian Worship
Most histories of Christian worship are written as if nothing significant in liturgical history ever happened in North America, as if cultural diversities were insignificant in the development of worship, and as if most of what mattered were words the priest or minister addressed to God. This book is a revisionist work, attempting to give new direction to liturgical history by treating the experience of worship of the people in the pews as the primary liturgical document. It means liturgical history written facing the other way--that is, looking into the chancel rather than out of it. Relishing the liturgical diversity of recent centuries as firm evidence of Chritianity's ability to adapt to a wide variety of peoples and places, Professor White shows that this tendency has been apparent in Chrisitian worship since its inception in the New Testament churches. Instead of imposing one tradition's criteria on worship, he tries to give a balanced and comprehensive approach to the development of the dozen or more traditions surviving in the modern world.
An Introduction to Bach Studies
This volume is a guide to the resources and materials of Bach scholarship, both for the non specialist wondering where to begin in the enormous literature on J. S. Bach, and for the Bach specialist looking for a convenient and up to date survey of the field. It describes the tools of Bach research and how to use them, and suggests how to get started in Bach research by describing the principal areas of research and citing the essential literature on each piece and topic. The authors emphasize the issues that have engaged Bach scholars for generations, focusing on particularly important writings; on recent literature; on overviews, collections of essays and handbooks; and on writings in Engli...
The Cantatas of J.S. Bach
This is the only English translation of this important book by the world's most distinguished Bach scholar.
Leipzig After Bach
Leipzig, Germany, is best known as the city where renowned composer J. S. Bach worked. But the century after his death in 1750 was critically important as well. This book examines how music in Leipzig responded to repeated threats, including changing middle-class musical tastes and the chaos of the Napoleonic wars.
