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Cai Guo-Qiang
A richly illustrated catalogue accompanies 'Cai Guo-Qiang: Falling Back to Earth'. the exhibition's interrelated themes of nature, spirituality and globalisation are a focus of the publication in essays by Australian and international authors, with extensive documentation of the artist's new works. Cai Guo-Qiang also writes on a significant, but lesser-known, aspect of his practice - his collaborations with children. the publication will also trace Cai's unique history with QAGOMA, as one of the first public institutions to collect the artist's work. It follows his early career inclusion in the 'Asia Pacific Triennial of Contemporary Art' (1996 and 1999) to the presentation, in 2013, of major new works by an artist at the height of his international career.
Animal: Exploring the Zoological World
Explore the beauty and diversity of the animal world through more than 300 captivating images from across time and from every corner of the globe Animal: Exploring the Zoological World is a visually stunning and broad-ranging survey that explores and celebrates humankind's ongoing fascination with animals. Since our very first moments on Earth, we have been compelled to make images of the curious beasts around us - whether as sources of food, danger, wonder, power, scientific significance or companionship. This carefully curated selection of images, chosen by an international panel of experts, delves into our shared past to tell the story of animal life. From the first cave paintings, extrao...
Cai Guo-Qiang
First catalog to cover the range of materials used by Cai Guo-Qiang, from gunpowder and paint on canvas, porcelain and silk Covers the artist's entire career to date Accompanies an exhibition at the Ashmolean Museum concluding on 19 April 2020 Cai Guo-Qiang is famous for his work with gunpowder explosions and fireworks, with which he has created spectacular displays in almost 30 countries, in the skies across Asia, Europe and America. This catalog not only shows the artist's skills and innovation in using silk, porcelain and other materials together with gunpowder, but also how he adapts them to explore his own central concerns of creation, destruction, chance and the cosmos. Through gunpowd...
Cai Guo-Qiang
Text by Carlos Basualdo, David Elliott, Marion Boulton Stroud, Wang Mingxian.
Arbitrary history
Written in French and English, this exhibition catalog of the first retrospective of Chinese artist Cai Guo-Qiang, organized by the Musee d'Art Contemporaine of Lyon, is centered on the links between western and eastern culture. The catalog details the two parts of the exhibit, both of which require the observer to travel via rollercoaster or boat in order to view the works. Revealed is an artist whose perception of space and time is defined by Chinese tradition and is regulated by a movement from sky to earth, not the inverse. A thorough discussion of each installment, color plates of works, a list of works, and a biography of the artist are included.
Subversive Strategies in Contemporary Chinese Art
How contemporary Chinese art is creating “a philosophy of life, a philosophy of politics, and a natural philosophy,” as artist Qiu Zhijie says it must, is explored in this collection of essays by philosophers and art historians from America and China.
Chaos Emperor Zun
Liu Qin and Wu Qingshu didn't lose their fighting capacity just now under the counterattack of Zhouyi, but they were more or less injured. At this time, Fu Lining was taken to the hospital, which was one of the three, so Liu Qin and Wu Qingshu dared not rashly attack Zhouyi again, but stood together for each other and took a defensive posture to prepare to resist the attack of Zhouyi together.
The Story of Contemporary Art
An introduction to the rich and diverse history of contemporary art over the past 60 years—from Modernism and minimalism to artists like Andy Warhol and Marina Abramović. Featuring lavish illustrations, this is the perfect gift for art history fans and anyone looking for a more inclusive perspective on ‘the old boys’ club.’ Encountering a work of contemporary art, a viewer might ask, "What does it mean?" "Is it really art?" and "Why does it cost so much?" These are not the questions that E. H. Gombrich set out to answer in his magisterial The Story of Art. Contemporary art seems totally unlike what came before it, departing from the road map supplied by Raphael, Dürer, Rembrandt, and other European masters. In The Story of Contemporary Art, Tony Godfrey picks up where Gombrich left off, offering a lively introduction to contemporary art that stretches from Andy Warhol’s Brillo boxes to Marina Abramović’s performance art to today’s biennale circuit and million-dollar auctions. Godfrey, a curator and writer on contemporary art, chronicles important developments in pop art, minimalism, conceptualism, installation art, performance art, and beyond.
The Spirit of Painting
Catalogues Cai Guo-Qiang's recent exhibition at the Prado, the first in over thirty years to focus solely on his painting, and the first time that an artist had created on-site at the Prado. It explores Cai Guo-Qiang's ongoing dialogue with El Greco and the way he established a relationship with the great masters represented in the Prado. It reproduces nearly thirty paintings made with gunpowder, eight of which were ignited on-site at the Salón de Reinos. It also features an oil and an acrylic created at the start of his activities as a painter; and various sketches and drawings on matchboxes by his father, Cai Ruiqin, who steered him towards painting. The catalogue includes texts and essays by Miguel Zugaza, Alejandro Vergara, Kosme Barañano and Cai Guo-Qiang himself, in which he reflects on his life and artistic career and on the principles and concerns that have governed the evolution of his work.
