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Documentary Filmmaking in Contemporary Brazil
This book examines the vibrant field of documentary filmmaking in Brazil from the transition to democracy in 1985 to the present. Marked by significant efforts toward the democratization of Brazil's highly unequal society, this period also witnessed the documentary's rise to unprecedented vitality in quantity, quality, and diversity of production-which includes polished auteur films as well as rough-hewn collaborative works, films made in major metropolitan regions as well as in indigenous villages and in remote parts of the Amazon, intimate first-person documentaries as well as films that dive headfirst into struggles for social justice. The transformations of Brazilian society and of filmm...
Woman-Centered Brazilian Cinema
Woman-Centered Brazilian Cinema highlights the bold, inspiring, and diverse work of female filmmakers—including directors, screenwriters, and producers—and female protagonists in the twenty-first-century Brazilian film industry. This volume examines the diverse production and distribution spaces these filmmakers are working in, including documentary, experimental, and short filmmaking, as well as commercial feature films. An intersectional approach runs throughout the chapters with complex considerations around gender, race, sexuality, and class. The book features a mix of research methods and genres, with macro-level political, economic, and industry-wide views of gender disparities appearing alongside in-depth conversations with contemporary filmmakers Maria Augusta Ramos, Petra Costa, Mari Corrêa, and Paula Sacchetta, focused on micro-level personal experiences. In bringing together original essays and interviews, the volume provides valuable information for students of Brazil in general and of Brazilian film in particular.
Intimate Frontiers
Intimate Frontiers: A Literary Geography of the Amazon analyzes the ways in which the Amazon has been represented in twentieth century cultural production. With contributions by scholars working in Latin America, the US and Europe, Intimate Frontiers reads against the grain commonly held notions about the region —its gigantism, its richness, its exceptionality, among other— choosing to approach these rather from quotidian, everyday experiences of a more intimate nature. The multinational, pluriethnic corpus of texts critically examined here, explores a wide range of cultural artifacts including travelogues, diaries, and novels about the rubber boom genocide, as well as indigenous oral histories, documentary films, and photography about the region. The different voices gathered in this book show that the richness of the Amazon lays not in its natural resources or opportunities for economic exploit, but in the richness of its histories/stories in the form of songs, oral histories, images, material culture, and texts.
Paid to Care
"The book analyzes post-1980 films, texts, and digital media produced in collaboration with paid domestic workers or inspired by their experiences to explore such workers' sociocultural status and struggles"--
Listening to Others
Listening to Others is the first English-language volume dedicated solely to the vast corpus of the preeminent Brazilian director, Eduardo Coutinho (1933–2014). From his early work in the 1960s to his last, posthumous film in 2015, Coutinho transformed documentary filmmaking in Brazil and beyond. Described as an informal linguist and savage anthropologist, Coutinho filmed encounters with people different from himself that foregrounded their voices and his role as an attentive listener, creating a "cinema of listening." This collection brings together leading scholars of film, literature, visual culture, Brazilian studies, and Latin American studies, from the United States and Latin America...
Latin American Documentary Film in the New Millennium
Nearly two decades into the new millennium, Latin American documentary film is experiencing renewed vibrancy and visibility on the global stage. While elements of the combative, politicized cinema of the 1960s and 1970s remain, the region’s production has become increasingly subjective, reflexive, and experimental, though perhaps no less political. At the same time, Latin American filmmakers both respond to and shape global tendencies in the genre. This book highlights the richness and heterogeneity of Latin American documentary film, surveys a broad range of national contexts, styles, and practices, and expands current debates on the genre. Thematic sections address the “subjective turn” of the 1990s and 2000s and the move beyond it; the ethics of the encounter between the filmmaker and the subject/object of his or her gaze; and the performance of truth and memory, a particularly urgent topic as Latin American countries have transitioned from dictatorship to democracy.
Radical Equalities and Global Feminist Filmmaking - An Anthology
"Radical Equalities and Global Feminist Filmmaking - An Anthology"’s main objective is to exhibit and unveil the fruit of the growing movement of feminist filmmakers around the world through interviews with current filmmakers themselves and through critical analysis of the works of these filmmakers. Every filmmaker we examine tells their own story about radical equality from a place that they have lived, are drawing from, or have imagined. The common theme in all of the films of our selected filmmakers is the obligation they feel towards the oppressed and the resulting ethics of interdependence their films exhibit. Some films give voice to those who are suffering in the shadows, or have be...
The Art of Brasília
People from outside of Brasília often dismiss Brazil’s capital as socially divided, boring, corrupt, and emotionally cold. Apparently its founders created not a vibrant capital, but a cultural wasteland. However, as Sophia Beal argues, Brasília’s contemporary artists are out to prove the skeptics wrong. These twenty-first-century artists are changing how people think about the city and animating its public spaces. They are recasting Brasília as a vibrant city of the arts in which cultural production affirms a creative right to the city. Various genres—prose, poetry, film, cultural journalism, music, photography, graffiti, street theater, and street dance—play a part. Brasília’s initial 1960s art was state-sanctioned, carried out mainly by privileged, white men. In contrast, the capital’s contemporary art is marked by its diversity, challenging norms about who has a voice within the Brasília art scene. This art demystifies the capital’s inequities and imagines alternative ways of inhabiting the city.
Politically Animated
Politically Animated studies the convergence of animation and actuality within films, television series, and digital shorts from across the Spanish-speaking world. It interrogates the many ways in which animation as a stylistic tool and storytelling device participates in political projects underpinning an array of non-fiction works. The case studies in the book cover a diverse geographical scope, including Spain, Argentina, Colombia, and Mexico. They critically analyse different works such as feature-length animated documentary films, a work of animated journalism, a short animated essay, and micro-short episodes from a televised animated documentary series. Jennifer Nagtegaal employs the t...
The Film Archipelago
How do the islands and archipelagos of the New World figure in Latin American cinema? Comprising 15 essays and a critical introduction, The Film Archipelago: Islands in Latin American Cinema addresses this question by examining a series of intersections between insular spaces and filmmaking in Latin America. The volume brings together international scholars and filmmakers to consider a diverse corpus of films about islands, films that take place on islands, films produced in islands, and films that problematise islands. The book explores a diverse range of films that extend from the Chilean documentaries of Patricio Guzmán to work on the Malvinas/Falkland Islands, and films by Argentine dir...
