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Peace at Last
A vivid, intimate hour-by-hour account of Armistice Day 1918, including photographs: “A pleasure to read . . . full of fascinating tidbits.” —The Wall Street Journal This is the first book to focus on the day the armistice was signed between the Allies and Germany, ending World War I. In this rich portrait of Armistice Day, which ranges from midnight to midnight, Guy Cuthbertson brings together news reports, photos, literature, memoirs, and letters to show how the people on the street, as well as soldiers and prominent figures like D. H. Lawrence and Lloyd George, experienced a strange, singular day of great joy, relief, and optimism—and examines how Britain and the wider world reacted to the news of peace. “[A] brilliant portrayal of Britain on the day that peace broke out; when people could believe there was an end to the war to end all wars. He weaves a wonderful tapestry of the mood and events across the country, drawing on a wide range of local and regional newspapers . . . accessible history at its best . . . outstanding.” —The Evening Standard
Wilfred Owen
One of Britain’s best-known and most loved poets, Wilfred Owen (1893–1918) was killed at age 25 on one of the last days of the First World War, having acted heroically as soldier and officer despite his famous misgivings about the war's rationale and conduct. He left behind a body of poetry that sensitively captured the pity, rage, valor, and futility of the conflict. In this new biography Guy Cuthbertson provides a fresh account of Owen's life and formative influences: the lower-middle-class childhood that he tried to escape; the places he lived in, from Birkenhead to Bordeaux; his class anxieties and his religious doubts; his sexuality and friendships; his close relationship with his mother and his childlike personality. Cuthbertson chronicles a great poet's growth to poetic maturity, illuminates the social strata of the extraordinary Edwardian era, and adds rich context to how Owen's enduring verse can be understood.
Branch-lines
When Edward Thomas died in the First World War, very few of his poems had been published, but he is now recognised as one of the finest and most influential poets of the last century. Although often referred to as a poet s poet, his writing has an almost universal appeal. He wrote accessibly, on traditional themes the natural world, human relationships, transience and mortality. And yet his poetry is alive with the critical intelligence that came from years of writing non-fiction and reviewing verse. Branch-Lines captures the range of Thomas s achievement, not least by combining poetry with prose. In this unique collection, fifty-five contemporary poets reflect on Thomas s craftsmanship and ...
The Icknield Way
This title is one of Thomas's essays on travel, which portraits the English countryside enriched with interesting historical details. Edward Thomas (1878-1917) was a British poet, essayist, and novelist. Thomas's poems are noted for their attention to the English countryside and a certain colloquial style. His career in poetry only came after he had already been a successful writer and literary critic. In 1915, he enlisted in the British Army to fight in the First World War and was killed in action during the Battle of Arras in 1917, soon after he arrived in France. The short poem In Memoriam exemplifies how his poetry blends the themes of war and the countryside. "Much has been written of travel, far less of the road. Writers have treated the road as a passive means to an end, and honoured it most when it has been an obstacle; they leave the impression that a road is a connection between two points which only exists when the traveller is upon it." (Edward Thomas, The Icknield Way)
Edward Thomas: Prose Writings: A Selected Edition
This book contains the autobiographical prose of Edward Thomas, one of the most admired British writers of the twentieth century. In these works, many of which have never before been published or given the scholarly attention they deserve, Thomas provides a fascinating portrait of his childhood and teenage years in London, Wiltshire, and Wales.
In Pursuit of Spring
Spring was late in 1913 and Edward Thomas decided to go and search for winter's grave and the tell-tale signs of season's turn - he set out to cycle westwards from London to the Quantocks. Edward Thomas 1878-1917 turned from writing prose to poetry in 1914. His work as a poet has been widely celebrated and admired - Ted Hughes described Thomas as "the father of us all". The Pursuit of Spring, originally published in 1914, bridges the divide between Thomas the journalist/critic and Thomas the highly regarded poet.
William and Dorothy Wordsworth
William and Dorothy Wordsworth is the first literary biography of the Wordsworths' creative collaboration. Using poems, letters, journals, memoirs, and biographies, it plots the intertwined lives of the Wordsworth siblings and their writing.
The Man Who Never Was
A "now it can be told" story of secret Operation Mincemeat. This was a carefully prepared ruse involving planted documents on a floating body which successfully misled the German commanders as to the Sicily invasion. Told by the British naval officer who originated the plot.
Wilfred Owen
One of Britain’s best-known and most loved poets, Wilfred Owen (1893–1918) was killed at age 25 on one of the last days of the First World War, having acted heroically as soldier and officer despite his famous misgivings about the war's rationale and conduct. He left behind a body of poetry that sensitively captured the pity, rage, valor, and futility of the conflict. In this new biography Guy Cuthbertson provides a fresh account of Owen's life and formative influences: the lower-middle-class childhood that he tried to escape; the places he lived in, from Birkenhead to Bordeaux; his class anxieties and his religious doubts; his sexuality and friendships; his close relationship with his mother and his childlike personality. Cuthbertson chronicles a great poet's growth to poetic maturity, illuminates the social strata of the extraordinary Edwardian era, and adds rich context to how Owen's enduring verse can be understood.
Touch and Intimacy in First World War Literature
The First World War ravaged the male body on an unprecedented scale, yet fostered moments of physical intimacy and tenderness among the soldiers in the trenches. Touch, the most elusive and private of the senses, became central to war experience. War writing is haunted by experiences of physical contact: from the muddy realities of the front to the emotional intensity of trench life, to the traumatic obsession with the wounded body in nurses' memoirs. Through extensive archival and historical research, analysing previously unknown letters and diaries alongside literary writings by figures such as Owen and Brittain, Santanu Das recovers the sensuous world of the First World War trenches and hospitals. This original and evocative study alters our understanding of the period as well as of the body at war, and illuminates the perilous intimacy between sense experience, emotion and language as we try to make meaning in times of crisis.
