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The Year's Music
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The Era Almanack
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World's Greatest Classic Themes
A superb collection of 58 popular "light" classics arranged for intermediate piano. Includes Beethoven's "Moonlight Sonata," Debussy's "Clair de lune," Joplin's "The Entertainer" and many more. Also includes chord symbols and fascinating information on each piece.
Musical Courier
Vols. for 1957-61 include an additional (mid-January) no. called Directory issue, 1st-5th ed. The 6th ed. was published as the Dec. 1961 issue.
The Oxford Dictionary of Music
Now available in paperback and with over 10,000 entries, the Oxford Dictionary of Music (previously the Concise Oxford Dictionary of Music) offers broad coverage of a wide range of musical categories spanning many eras, including composers, librettists, singers, orchestras, important ballets and operas, and musical instruments and their history. The Oxford Dictionary of Music is the most up-to-date and accessible dictionaryof musical terms available and an essential point of reference for music students, teachers, lecturers, professional musicians, as well as music enthusiasts.
Can You See God in This Picture?: A Letter to My Sons Making Sense of 25 Years of Ministry
Growing up in the church often lacks the beauty and meaning that God envisioned. John Kings ministry as a pastor and teacher spanned the years from 1969 to 1993. He and his family moved 17 times in those years, and pastored in five churches, once even moving several times while at the same church. Occasionally down to the last jar of peanut butter, faith played a real part in their spiritual journey. And then there were the children. With nary a negative word for the adults, Can You See God in This Picture? tells the story of what passion for God can accomplish, both constructively and destructively, and explores the angry and stupid things adults do in the church, which children see and rem...
John Charles Thomas
Buoyant, irrepressible and hot-tempered, John Charles Thomas captivated audiences worldwide with his incredible voice. The son of a minister, he studied voice at the Peabody Conservatory under the tutelage of Adelin Fermin, one of the few voice teachers in America capable of training Thomas in the French operatic style. By 1915, Thomas had become a leading performer on Broadway, and ten years later had embarked on a trans-Atlantic career in opera and concerts. At the height of his popularity from 1934 through 1946, he was a popular star of radio, phonographs, and the Metropolitan Opera, a favorite of both popular and classical audiences. His decision to leave opera and focus on his radio car...
