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What if your maitre d' died twenty years ago? Something is not quite right about Stephanie's new partner in the restaurant business. Frankie is turning Butlers into London's most frequented venue, but that doesn't stop her worrying. About who he is, and the hold he has over the restaurant's owner. About his connection with the Brockenhurst family tragedy. About the bizarre accidents that have started happening in her upscale restaurant. But most worrying of all is Stephanie's suspicion that Butlers would not survive without Frankie. So why worry about details when this is the only part of her life thats successful? Set in London before the financial crisis, Butlers will appeal to lovers of food, luxury, celebrities and dysfunctional families. A romantic comedy with a strong mystery at its heart, it is the debut novel from an exciting new female writer who is one to watch.
Zuri Day cranks up the heat with an explosively sexy tale about a woman who's about to get a crash course in lust. . . First grade teacher Gwen Smith was happily married--until her husband got himself a twenty-something mistress and filed for divorce. Now just months away from turning forty-one, Gwen is back in her tiny California hometown, caring for her ailing mother, convinced her life is over. Then she meets Ransom Blake. Ransom is a twenty-six-year-old hunk who pushes every one of Gwen's buttons. Gwen has no intention of getting involved with a younger man, but he won't take no for an answer. So when he shows up at her classroom unannounced, Gwen can't help but tell him off--and then she realizes he's come for his daughter. But Ransom isn't shy about letting Gwen know how she can make it up to him. And if he gets his way, Gwen will lose all her inhibitions--and her heart. . . "An exciting read. Zuri Day does a fantastic job. . ." --Urban Reviews on Lies Lovers Tell
Known as Hollywood's "Thrill Factory," Republic Pictures produced some of the most exciting serials to hit the big screen. The studio's chapterplays were one of the most popular Saturday matinee genres. Covering nearly 70 serials, the filmographies include full production credits; release dates; chapter titles; running times; sound systems (when applicable); a note on reissues, condensations and sequels; and an extensive cast list showing roles played. Included are an essay on the general development of the American serial and a history of Republic studio to the present.
ALEXANDER GILLESPIE & WILLIAM C.G. BURNS The idea for this book grew out of the Ecopolitics conference in Canberra, Australia in 1996. The conference captured the ferment of the climate change debate in the South Pacific, as well as some its potential implications for the region’s inhabitants and e- systems. At that conference, one of the editors (Gillespie) delivered a paper on climate change issues in the region, as did Ros Taplin and Mark Diesendorf, who are also c- tributors to this volume. This book focuses on climate change issues in Australia, New Zealand, and the small island nations in the Pacific as the world struggles to cope with possible the impacts of environmental change and...
As Christopher Nolan’s Batman films and releases from the Marvel Cinematic Universe have regularly topped the box office charts, fans and critics alike might assume that the “comic book movie” is a distinctly twenty-first-century form. Yet adaptations of comics have been an integral part of American cinema from its very inception, with comics characters regularly leaping from the page to the screen and cinematic icons spawning comics of their own. Movie Comics is the first book to study the long history of both comics-to-film and film-to-comics adaptations, covering everything from silent films starring Happy Hooligan to sound films and serials featuring Dick Tracy and Superman to comi...
This book is the first comprehensive assessment of the legal duties of states with regard to human induced climate change damage. By discussing the current state of climate science in the context of binding international law, it convincingly argues that compensation for such damage could indeed be recoverable. The author analyses legal duties requiring states to prevent climate change damage, and discusses to what extent a breach of these duties will give rise to state responsibility (international liability). The analysis includes the UN Framework Convention on Climate Change and the Kyoto Protocol, but also various nature/ biodiversity protection and law of the sea instruments, as well as the no-harm-rule as a key provision of customary international law. The challenge in applying the different aspects of the law on state responsibility, including causation and standard of proof, are discussed in three case studies, and the questions raised by multiple polluters explored in depth. Against this background, the author advocates an internationally negotiated solution to the issue of climate change damage.
By the mid-1930s, cinema patrons insisted on value-for-money. Double feature programs became mandatory at all neighborhood cinemas. Usually the "A" feature film figured as the main attraction, and the supporting movie, the "B." Sometimes that role was reversed. On many occasions picturegoers felt the unheralded "B" movie had actually proved more entertaining than the widely advertised "A" attraction. More than two hundred of these wonderful "B" film classics from Hollywood's golden age are described, reviewed and detailed in this book. It's a must-have for all film addicts, movie fans and nostalgia connoisseurs.
Destination Moon; George Pal's 1950 Technicolor epic, is generally cited as the first noteworthy science fiction film. Usually ignored or casually dismissed in genre histories are the serials, the low-budget chapterplays exhibited as Saturday matinee fare and targeted almost exclusively at children. Lacking stars and top-notch writers or directors, the serials went largely unnoticed and unacknowledged by either critics or by the film industry. Yet serials were financially important to the Hollywood studios, and were often free to exploit risky or outlandish subjects that producers of "distinguished" movies would not touch. Influential serials such as The Phantom Empire (1935) and Flash Gordon (1936) finally brought science fiction themes to the big screen. Those serials and 29 others are exhaustively covered in this work, which provides complete cast and credit information along with plot descriptions and historical commentary for each serial. Video distributors (if available) are also listed.
The first of its kind, this guide to California filming sites covers five decades of science fiction, fantasy, and horror in chapter plays. Covering more than 60 serials, many familiar locations are documented, including the rugged terrain of Red Rock Canyon, which served as a stand-in for Saturn in Buck Rogers; the Bronson Caves and Griffith Observatory, which appeared in Flash Gordon; and the famous Iverson Ranch, which appeared in Batman, Superman and many other serials. The reader will also find serials starring Bela Lugosi, Boris Karloff and Lon Chaney, Jr. Also covered are the skyscrapers that appeared alongside Captain Marvel in The Adventures of Captain Marvel, the location of the Green Hornet's apartment and filming locations for five silent serials. The in-depth storytelling is enhanced by photos of serial memorabilia, postcards, serial descriptions, accurate instructions to locations, notes and more.
In November of 1795, after William Godwin requested a sketch of Mary Hays’ life, she arrived at the idea of Memoirs of Emma Courtney. Godwin followed up his request with a “hint” that a fictional exploration of the painful experience she had undergone in her relationship with William Frend might help her to come to terms with it. It was to be an “instructive rather than self indulgent” work. The resulting novel is one of the most interesting and important explorations of gender-related issues of the time. Emma is exposed to a series of situations—motherlessness, orphanhood, poverty, dependence, and more—which encourage her to reflect “on the inequalities of society, the source of every misery and vice, and on the peculiar disadvanteges of my sex.” The novel quickly became viewed as “a scandalous disrobing in public” but it has endured as much on the basis of its readability as on its pointed social commentary.