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Firebrand
The half-feral son of a Sithe nobleman is exiled to the mortal world of sixteenth-century Scotland during a time of religious wars and brutal witch-hunts.
Crossing the Line
Nick Geddes's life is a mess. His sister's boyfriend was killed in a school stabbing. His grandmother is decending into a world of her own, his mother has a 'god-slot' on local radio, and his father is drinking way too much. But that is nothing, because he is also crazy in love with Orla, the sister of the boy who has been killed, and she blames Nick! How can Nick make sense of this chaos, and look after his sister, and hopefully get lucky with Orla?
The Opposite of Amber
'They found the fifth girl right after the snow melted . . . the place where he left her was winter water, crazed with ice-feathers and dusted with snow. The traces from her body were gone, the ones that said his name, but she had an extra skin of ice that protected her and she looked perfect, like Snow White.' Ruby and her older sister, Jinn, are on their own, just about making ends meet. Jinn is beautiful, with glittering blonde hair, and makes it her business to look after Ruby. They are horrified by, but try to ignore, the local newspaper stories of prostitutes who are murdered, their bodies eventually discovered underwater. Then the no-good Nathan Baird turns up on the scene - again - and Jinn starts to change and no longer has time to look after Ruby. And it seems to Ruby that Jinn herself needs looking after. Her beautiful glittering hair starts to lose its shine. And then Jinn disappears. A deeply moving, chilling, and incredibly powerful thriller that celebrates the love two sisters have for each other and mourns the events beyond their control that will conspire to drive them apart.
The Many Facades of Edith Sitwell
"A fascinating book that takes us deep into Edith Sitwell's world of artifice, disguise, high camp, and verbal ingenuity. In these essays, Sitwell emerges as a central figure in an alternative avant-garde in early twentieth-century Britain."--Faye Hammill, author of Sophistication: A Literary and Cultural History Establishing Edith Sitwell at the center of British modernism, this volume showcases her many achievements in poetry, autobiography, novel writing, criticism, art, and performance. Forgoing the gossip about her eccentric appearance and self-fashioned persona that has too often overshadowed serious writing about her work, the contributors explore how Sitwell combined persona and poet...
The Many Facades of Edith Sitwell
"A fascinating book that takes us deep into Edith Sitwell's world of artifice, disguise, high camp, and verbal ingenuity. In these essays, Sitwell emerges as a central figure in an alternative avant-garde in early twentieth-century Britain."--Faye Hammill, author of Sophistication: A Literary and Cultural History Establishing Edith Sitwell at the center of British modernism, this volume showcases her many achievements in poetry, autobiography, novel writing, criticism, art, and performance. Forgoing the gossip about her eccentric appearance and self-fashioned persona that has too often overshadowed serious writing about her work, the contributors explore how Sitwell combined persona and poet...
Sublime Noise
What is the significance of noise in modernist music and literature? When Stravinsky’s Rite of Spring premiered in Paris in 1913, the crowd rioted in response to the harsh dissonance and jarring rhythms of its score. This was noise, not music. In Sublime Noise, Josh Epstein examines the significance of noise in modernist music and literature. How—and why—did composers and writers incorporate the noises of modern industry, warfare, and big-city life into their work? Epstein argues that, as the creative class engaged with the racket of cityscapes and new media, they reconsidered not just the aesthetic of music but also its cultural effects. Noise, after all, is more than a sonic category...
Not Hockey
In this carefully curated collection of essays, editors Jamie Dopp and Angie Abdou go beyond their first collection, Writing the Body in Motion, to engage with the meaning of sport found in Canadian sport literature. How does “sport” differ from physically risky recreational activities that require strength and skill? Does sport demand that someone win? At what point does a sport become an art? With the aim of prompting reflections on and discussions of the boundaries of sport, contributors explore how literature engages with sport as a metaphor, as a language, and as bodily expression. Instead of a focus on what is often described as Canada’s national pastime, contributors examine sports in Canadian literature that are decidedly not hockey. From skateboarding and parkour to fly fishing and curling, these essays engage with Canadian histories and broader societal understandings through sports on the margin. Interspersed with original reflections by iconic Canadian literary figures such as Steven Heighton, Aritha Van Herk, Thomas Wharton, and Timothy Taylor, this volume is fresh and intriguing and offers new ways of reading the body.
Writing the Body in Motion
Sport literature is never just about sport. The genre’s potential to explore the human condition, including aspects of violence, gender, and the body, has sparked the interest of writers, readers, and scholars. Over the last decade, a proliferation of sport literature courses across the continent is evidence of the sophisticated and evolving body of work developing in this area. Writing the Body in Motion offers introductory essays on the most commonly taught Canadian sport literature texts. The contributions sketch the state of current scholarship, highlight recurring themes and patterns, and offer close readings of key works. Organized chronologically by source text, ranging from Shoeless Joe (1982) to Indian Horse (2012), the essays offer a variety of ways to read, consider, teach, and write about sport literature.
Words and Notes in the Long Nineteenth Century
A new wave of scholarship inspired by the ways the writers and musicians of the long nineteenth century themselves approached the relationship between music and words.
Generation Zombie
Growing from their early roots in Caribbean voodoo to their popularity today, zombies are epidemic. Their presence is pervasive, whether they are found in video games, street signs, hard drives, or even international politics. These eighteen original essays by an interdisciplinary group of scholars examine how the zombie has evolved over time, its continually evolving manifestations in popular culture, and the unpredictable effects the zombie has had on late modernity. Topics covered include representations of zombies in films, the zombie as environmental critique, its role in mass psychology and how issues of race, class and gender are expressed through zombie narratives. Collectively, the work enhances our understanding of the popularity and purposes of horror in the modern era. Instructors considering this book for use in a course may request an examination copy here.
