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Beyond the Paradox of the Nostalgic Modernist
This investigation of J.-K. Huysmans' representation of temporality sheds light on the complex and paradoxical nature of this late-nineteenth-century novelist and art critic, who was a modernist steeped in nostalgia as well as a nostalgic steeped in modernity. To unveil and understand the mechanisms and logic of this paradox, Elisabeth M. Donato examines Huysmans' characters' dealings with measured time and schedules, investigates the failure of des Esseintes' aesthetic experiment, and relates the novelist's construct of «spiritualist naturalism» to his increasingly frequent and intense longings for his own medieval utopia. Donato's new perspective onto the intricate relationship between modernity and nostalgia underscores Huysmans' firm and very modern stance à rebours of commonality in his never ending search for a solution to his dilemma.
The Mirror of Divinity
Using a multidisciplinary approach, this book argues that the operation of art-as-mirror is the key to the hidden unity of Huysmans' fiction. The author claims that only the elimination of Huysmans' stylistic distortions enabled his art finally to become faithful and clear.
Entre Hommes
Despite its debt to French thought for theoretical constructs, masculinity studies have been dominated by work on English-language texts and contexts. Entre Hommes lays the foundation for French and Francophone masculinity studies in both a cultural and theoretical sense.This ground-breaking volume considers what is meant by 'French' or 'Francophone' masculinities per se and how these identities have or have not changed over time, with essays spanning periods from the Middle Ages to the present. An introduction situates the study of masculinity within the work of recent French thinkers, and essays examine both key writers and recurring cultural images.
Kritikon Litterarum
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Back and Forth
This seminal book examines the dramatic implications of the grotesque in Romantic aesthetics. There are currently no book-length studies exploring the drama of the Romantic grotesque, a category that accentuates multiplicity and hybridity. The post-Kantian philosophy backing Friedrich Schlegel’s Romantic irony provides the most decisive rationalisation of this plurality through theatrical play, and forms the theoretical framework for this study. Poetry and philosophy are merged in Schlegel’s attempt to create Romantic modernity out of this self-conscious blurring of inherited perspectives and genres – a mixing and transgressing of past demarcations that simultaneously create the condit...
Eating, Building, Dwelling
The intricate relationship between food, city and architecture, spanning from ancient civilizations to the present, serves as a focal point for interdisciplinary discourse. This book delves into a diverse set of cases throughout history in which processes related to food significantly influenced architectural or urban designs. This book delineates three spatial levels — city, home and intermediate spaces — illuminating their dynamic interplay within the construct of a continually evolving “food space." Featuring 12 contributions from Mediterranean Europe, this publication explores historical legacies and contemporary challenges. Divided into urban-territorial and architectural scales, it offers nuanced insights into urban dynamics, domestic life and gastronomic tourism. Supported by a prestigious introductory study, this research advances a comprehensive understanding of food's role in shaping urban environments. Through the chapters of this book, those interested in cultural studies of food, urban history and architecture will be able to reflect on our relationship with food and its processes, and how it affects the way we live and design our cities and their architectures.
The Oxford Handbook of Decadence
Edited by Jane Desmarais and David Weir.
1998
Annually published since 1930, the International bibliography of Historical Sciences (IBOHS) is an international bibliography of the most important historical monographs and periodical articles published throughout the world, which deal with history from the earliest to the most recent times. The works are arranged systematically according to period, region or historical discipline, and within this classification alphabetically. The bibliography contains a geographical index and indexes of persons and authors.
Imagery and Ideology
Literature is ostensibly a sequential and thus temporal medium, and painting a static and spatial one; yet writers like George Sand and Emile Zola have attempted repeatedly to represent visual and spatial phenomena in literary texts, just as painters like Eugene Delacroix and Claude Monet have sought consistently to capture effects of time and movement on canvas. The incorporation of elements from one artistic medium into another creates a dynamic interplay of image and ideology, both between art forms and within individual texts and paintings, which constitutes the crux of this book. Each chapter involves the detailed analysis of a text and a painting, related through topic, theme, and technique. By juxtaposing the works of ten major writers and ten painters of comparable stature, the book explores the various modalities and layers of meaning in nineteenth-century French art, both verbal and visual, and proposes ways of reading the ambivalent artifacts of "modernity." Illustrated.
Paris Isn't Dead Yet
The Paris of popular imagination is lined with cobblestone streets and stylish cafés, a beacon for fashionistas and well-heeled tourists. But French American journalist Cole Stangler, celebrated for his reporting on Paris and French politics, argues that the beating heart of the City of Light lies elsewhere – in the striving, working-class districts, where residents are now being priced out. Paris Isn't Dead Yet explores the past, present and future of the city through the lens of class conflict, highlighting the outsized role of immigrants in shaping the city's progressive, cosmopolitan and open-minded character – at a time when politics nationwide can feel like they're shifting in the...
