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Mudejarismo and Moorish Revival in Europe examines key aspects related to the reception of Ibero-Islamic architecture in medieval Iberia and 19th-century Europe. It challenges prevalent readings of architecture and interiors whose creation was the result of cultural encounters. As Mudéjar and neo-Moorish architecture are closely connected to the Islamic world, concepts of identity, nationalism, religious and ethnic belonging, as well as Orientalism and Islamoscepticism significantly shaped the way in which they have been perceived over time. This volume offers art historical and socio-cultural analysis of selected case studies from Spain to Russia and opens the door to a better understanding of interconnected cultural and artistic phenomena. Contributors are (in order of appearance) Francine Giese, Ariane Varela Braga, Michael A. Conrad, Katrin Kaufmann, Sarah Keller, Elena Paulino Montero, Luis Araus Ballesteros, Ekaterina Savinova, Christian Schweizer, Alejandro Jiménez Hernández and Laura Álvarez Acosta.
"A History of the Inquisition of Spain" in 4 volumes is one of the best-known works by the American historian Henry Charles Lea. The Spanish Inquisition (officially known as the "Tribunal of the Holy Office of the Inquisition") was established in 1478 by Catholic Monarchs Ferdinand II of Aragon and Isabella I of Castile. It was intended to maintain Catholic orthodoxy in their kingdoms and to replace the Medieval Inquisition, which was under Papal control. It became the most substantive of the three different manifestations of the wider Catholic Inquisition along with the Roman Inquisition and Portuguese Inquisition. The Inquisition was originally intended primarily to identify heretics among...
"A History of the Inquisition of Spain" in 4 volumes is one of the best-known works by the American historian Henry Charles Lea. The Spanish Inquisition (officially known as the "Tribunal of the Holy Office of the Inquisition") was established in 1478 by Catholic Monarchs Ferdinand II of Aragon and Isabella I of Castile. It was intended to maintain Catholic orthodoxy in their kingdoms and to replace the Medieval Inquisition, which was under Papal control. It became the most substantive of the three different manifestations of the wider Catholic Inquisition along with the Roman Inquisition and Portuguese Inquisition. The Inquisition was originally intended primarily to identify heretics among...
The present volume offers a collection of essays that examines the mechanisms and strategies of collecting, displaying and appropriating Islamic art in the nineteenth and early twentieth centuries. Many studies in this book concentrate on lesser known collections of Islamic art, situated in Central and Eastern Europe that until now have received little attention from scholars. Special attention is given to the figure of the Swiss collector Henri Moser Charlottenfels, whose important, still largely unstudied collection of Islamic art is now preserved in the Bernisches Historisches Museum, Switzerland. Contributors to the volume include young researchers and established scholars from Western a...
This is one of the best-known works by the American historian Henry Charles Lea. The Spanish Inquisition (officially known as the "Tribunal of the Holy Office of the Inquisition") was established in 1478 by Catholic Monarchs Ferdinand II of Aragon and Isabella I of Castile. It was intended to maintain Catholic orthodoxy in their kingdoms and to replace the Medieval Inquisition, which was under Papal control. It became the most substantive of the three different manifestations of the wider Catholic Inquisition along with the Roman Inquisition and Portuguese Inquisition. The Inquisition was originally intended primarily to identify heretics among those who converted from Judaism and Islam to Catholicism. The regulation of the faith of newly converted Catholics was intensified after the royal decrees issued in 1492 and 1502 ordering Muslims and Jews to convert to Catholicism or leave Castile. The Inquisition was not definitively abolished until 1834, during the reign of Isabella II, after a period of declining influence in the preceding century. The Spanish Inquisition is often cited in popular literature and history as an example of religious intolerance and repression.
This book provides significant new insights into the Enlightenment in Portugal and its relationships with other European cultural movements using Eugénio dos Santos (1711–1760) as a common reference point. Eugénio dos Santos was a Portuguese architect and city planner who, among other projects, was responsible for the plans to rebuild Lisbon after the earthquake of 1st November 1755. His artistic and technical training, architectural production, aesthetic preferences and some of the books in his private library point to a person who embodied the transition between two moments in Portuguese culture, with their specific characteristics and particular reception of the practices and ideas that circulated among European intellectuals and practitioners. Over the 18 chapters of this volume, several specialists in different disciplinary areas discuss ideas, libraries, printed and handwritten documents, drawings, printing techniques, and architects, philosophers and writers of the 18th century, in order to offer a broad view of a time period closely associated with the construction of modernity.
The essential history of an iconic European city, by Cambridge academic Elizabeth Drayson. 'An admirable achievement... [Drayson has] expertise as a scholar and command as a storyteller' BBC History Magazine 'A glittering homage to one of the world's most beautiful and storied cities' Dan Jones 'Beauty built on blood and brutality... A fascinating new tome' Daily Mail From the early Middle Ages to the present, foreign travellers have been bewitched by Granada's peerless beauty. The Andalusian city is also the stuff of story and legend, with an unforgettable history to match. Romans, then Visigoths, settled here, as did a community of Jews; in the eleventh century a Berber chief made Granada ...
Ein wenig bekanntes Phänomen innerhalb des sogenannten Maurischen Revivals ist die intensive Auseinandersetzung russischer Architekten mit der ibero-islamischen Architektur, insbesondere mit den mittelalterlichen Nasridenpalästen der Alhambra in Granada. Die materialreiche Studie analysiert orientalisierende Bauwerke und Interieurs des 19. Jahrhunderts in St. Petersburg und zeichnet die Transferwege nach, über die das Formenvokabular der Alhambra von Spanien nach Russland gelangte. Sie bezieht wesentliche Aspekte der russischen Kulturgeschichte und der europäischen Orient-Vorstellungen des 19. Jahrhunderts mit ein und zeigt, dass russische Architekten und die Kaiserliche Akademie der Künste zu den Pionieren des Maurischen Revivals gehörten. Erstmalige Betrachtung der orientalisierenden Architektur St. Petersburgs im gesamteuropäischen Kontext Russische Architekten als Pioniere des Maurischen Revivals
Previously published as a special issue of The Bulletin of Spanish Studies, The Eighteenth-Century Theatre in Spain is the second in a series of research bibliographies on the Theatre in Spain. Representing ten years of searches and compilation by its specialist authors, this volume draws together data on more than 1,500 books, articles and documents concerned with Spanish eighteenth-century theatre. Studies of plays and playwrights are included as well as material dealing with theatres, actors and stagecraft. Wherever possible, items listed have been personally examined, and their library location in Britain, Spain or USA is provided. Scholars with interests in drama will find in this single-volume work of reference a wealth of reliable information concerning this specialist field.
Photography, Architecture, and the Modern Italian Landscape explores the impact of photography at a pivotal moment in Italian architecture and culture, focusing on the period between 1910 and the mid-1970s. The book analyzes architectural photographs taken by Italian cultural figures who helped transform the Italian landscape into what we know today. This study charts the oscillation of Italians’ ideas about what progress signified. For example, the book demonstrates that for writers and artists familiar with ancient ideas about civilization in 1910, the Roman countryside exemplified the contradictions inherent in primitivism. On the one hand, their photographs praised the region’s primo...