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Heinrich Von Kleist
In his great biography, Günter Blamberger draws a new Kleist: Unlike conventional approaches, he tries not to understand Kleist?s life from its end, from the perspective of suicide as the final catastrophe of an allegedly always crisis-ridden life. Rather, he remains at the height of Kleist?s presence; he narrates from Kleist?s awareness of the moment, showing the unsettling and astonishing in every phase of his life, the explosives in every one of Kleist?s risky biographical and literary experiments.The result is a standard work of German literary history, a captivating and vivid biography of one of the greatest literary geniuses of all time, award-winning as the top title of 2011 in the field of humanities non-fiction and honored in Times Literary Supplement: ?This new biography is certain to remain the definitive Life of Kleist for a generation?, in the FAZ: ?Blamberger?s biography is so clever that other books about Kleist suddenly appear to be, if not stupid, then at least negligently under-complex?, in the SZ: ?A Kleist Biography grandiose rich in perspectives? or in the Tagesspiegel: ?Probably the best Kleist biography to date?.
On Creativity
The concept of genius has been a subject of much speculation and debate since the eighteenth century. However, in a world obsessed with creative genius and the possibilities of the human imagination, the actual workings of the creative process and its psychological underpinnings remain a mystery. In On Creativity, a group of experts seeks to unlock this enigma.
Imaginations of Death and the Beyond in India and Europe
This volume explores current images of afterlife/afterdeath and the presence of the dead in the imaginations of the living in Indian and European traditions. Specifically, it focuses on the deepest and most fundamental uncertainty of human existence---the awareness of human mortality, on which depends any assignment of meaning to earthly existence as also to notions of worldly and otherworldly salvation. This central idea is addressed in the literature, arts, audiovisual media and other cultural artefacts of the two traditions. The chapters are based on two main assumptions: First, that one cannot report on the direct experience of death; so it is only possible to speak allegorically of it. ...
Thinking in Literature
M'illumino/d'immenso - I'm lit/with immensity is Geoffrey Brock's translation of Giuseppe Ungaretti's poem Mattina. In the poem's minimalism, Ungaretti points to the maximal: the richness of poetry's expressive possibilities and the power of thinking in literature. This book addresses the fascination of readers to transcend the boundaries of their own in fiction, and literature's capacity, according to Kant, even to evoke, with the help of the development of aesthetic ideas, representations that exceed what is empirically and conceptually graspable - in case studies about myths of creativity, images of death and the beyond after the 'death of God', of the soul, of melancholy as the dark ground of genius, of metamorphoses of both evil and good, of ecstasy, of the economy of self-sacrifice, of the art of resistance, and, among others, about figurations of biography and the portrait as approaches to singularity, what is particular and cannot be fully subsumed to any universality.
Heinrich von Kleist
The works and biography of Heinrich von Kleist have fascinated authors, artists, and philosophers for centuries, and his enduring relevance is evident in the emblematic role he has played for generations. Kleist’s prose works remain “utterly unique” seventy years after Thomas Mann described their singular appeal, his dramas remain “disturbingly current” four decades after E.L. Doctorow characterized their modernity, and twenty-first century readers need not read far before finding the unresolved questions of the current century in Kleist. Heinrich von Kleist: Artistic and Aesthetic Legacies explores examples of Kleist’s impact on artistic creations and aesthetic theory spanning over two centuries of seismic metaphysical crises and nightmare scenarios from Europe to Mexico to Japan to manifestations of the American Dream.
Dance [and] Theory
Both the identity of dance and that of theory are at risk as soon as the two intertwine. This anthology collects observations by choreographers and scholars, dancers, dramaturges and dance theorists in an effort to trace the multiple ways in which dance and theory correlate and redefine each other: What is the nature of their relationship? How can we outline a theory of dance from our particular historical perspective which will cover dance both as a practice and as an academic concept? The contributions examine which concepts, interdependencies and discontinuities of dance and theory are relevant today and promise to engage us in the future. They address crucial topics of the current debate in dance and performance studies such as artistic research, aesthetics, politics, visuality, archives, and the »next generation«.
Venus as Muse
This volume deals with the enduring presence of one of Western culture's most fascinating and influential figures in ancient, modern, and postmodern art and literature: Venus/Aphrodite, the goddess of love, beauty, and sexuality. The collection, which is the first of its kind, seeks to explore Venus's significance as a figure of beauty and creativity across cultures and disciplines, engaging a range of media, theoretical approaches, and cultural perspectives. Thirteen international scholars—including Elisabeth Bronfen, Tom Conley, Laurence Rickels, and Barbara Vinken—illuminate Venus's lasting value as a multifaceted figure of the creative in Western culture, from Lucretius to Michel Serres.
Making an Entrance
How does the entrance of a character on the tragic stage affect their visibility and presence? Beginning with the court culture of the seventeenth century and ending with Nietzsche’s Dionysian theater, this monograph explores specific modes of entering the stage and the conditions that make them successful—or cause them to fail. The study argues that tragic entrances ultimately always remain incomplete; that the step figures take into visibility invariably remains precarious. Through close readings of texts by Racine, Goethe, and Kleist, among others, it shows that entrances promise both triumph and tragic exposure; though they appear to be expressions of sovereignty, they are always simultaneously threatened by failure or annihilation. With this analysis, the book thus opens up possibilities for a new theory of dramatic form, one that begins not with the plot itself but with the stage entrance that structures how characters appear and thus determines how the plot advances. By reflecting on acts of entering, this book addresses not only scholars of literature, theater, media, and art but anyone concerned with what it means to appear and be present.
Born Under Auschwitz
Uncovers the literary traditions of melancholy that inform major works of postwar and contemporary German literature dealing with the Holocaust and the Nazi period.
The Extreme Gone Mainstream
"This book comes at a time that could hardly be more important. Miller-Idriss opens up a completely new approach to understanding the processes of violent radicalization through subcultural products...(and) will surely become a standard work in the study of right-wing extremism."--Daniel Koehler, founder and director of the German Institute on Radicalization and De-Radicalization Studies.dies.
