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Landscape of Slavery
Through eighty-nine color plates and six thematic essays, this collection examines depictions of plantations, plantation views, and related slave imagery in the context of the history of landscape painting in America, while addressing the impact of these images on US race relations.
Marie Adrien Persac
Marie Adrien Persac (1823-1873) was a French-born Louisiana artist who worked in a range of mediums to produce a unique view of the lower Mississippi Valley at midcentury. In the first catalogued exhibition devoted solely to this multifaceted but overlooked talent, paintings, drawings, maps, and photographs from numerous holdings have been brought together to present fresh insights and reevaluate this artist's place in the annals of American history and material culture. Due in part to his broad talents artist, cartographer, architect, civil engineer, photographer, and art teacher Persac's work is of major importance to Southern history researchers and art historians. His paintings of south Louisiana plantation houses have captured that now-varnished lifestyle in minute detail, approximating the exactitude of architectural drafting. Today this series is invaluable to scholars of the period, as is Persac's painting of a steamboat interior -- the only one known to exist -- and another French Opera House, which burned to the ground in 1919.
The Bourgeois Frontier
Histories tend to emphasize conquest by Anglo-Americans as the driving force behind the development of the American West. In this fresh interpretation, Jay Gitlin argues that the activities of the French are crucial to understanding the phenomenon of westward expansion. The Seven Years War brought an end to the French colonial enterprise in North America, but the French in towns such as New Orleans, St. Louis, and Detroit survived the transition to American rule. French traders from Mid-America such as the Chouteaus and Robidouxs of St. Louis then became agents of change in the West, perfecting a strategy of “middle grounding” by pursuing alliances within Indian and Mexican communities in advance of American settlement and re-investing fur trade profits in land, town sites, banks, and transportation. The Bourgeois Frontier provides the missing French connection between the urban Midwest and western expansion.
Arkansas Made: Furniture, quilts, silver, pottery, firearms
A photographic record of Arkansas's rich material heritage. This first volume covers the introduction and establishment of such artisan traditions as furniture making and silversmithing, notes the materials and special techniques used by potters, gunsmiths, and jewelers, and illustrates the delicate craftsmanship with about 400 photographs. The sec
Art in Mississippi, 1720-1980
In Art in Mississippi Patti Carr Black focuses on several hundred significant artists and showcases in full color the work of more than two hundred. Nationally acclaimed native Mississippians are hereGeorge Ohr, Walter Anderson, Marie Hull, Theora Hamblett, William Dunlap, Sam Gilliam, William Hollingsworth, Jr., Karl Wolfe, Mildred Nungester Wolfe, John McCrady, Ed McGowin, James Seawright, and many others. Prominent artists who lived or worked in the state for a significant period of time are included as well - John James Audubon, Louis Comfort Tiffany, George Caleb Bingham, William Aiken Walker, and more. Black explores how art reflects the land and how modes of living and values dictated by Mississippi's changing topography created a variety of art forms. She demonstrates the influence of Mississippi's diverse cultures upon the art and shows how it has responded in many forms - painting, architecture, sculpture, fine crafts - to the changing aesthetics of national art movements.
Downriver
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The Ice Hunters
The demand for oil to light and lubricate the industrial world changed the face of much of the planet. Newfoundland was part of this widespread transformation as migratory cod fishermen settled here in the early 1800s in order to hunt seals in late winter and early spring. The seal fishery brought prosperity and growth and shaped this new society, but seal hunters and their families paid a heavy human cost in lives lost and suffering experienced. The traditional oil industries were doomed with the discovery of mineral oils and the ha essing of electricity, and Newfoundland-along with other societies-faced painful adjustments while searching for alte ative industries. However while its place ...
Museum Media
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Pioneer Photographers from the Mississippi to the Continental Divide
This biographical dictionary of some 3,000 photographers (and workers in related trades), active in a vast area of North America before 1866, is based on extensive research and enhanced by some 240 illustrations, most of which are published here for the first time. The territory covered extends from central Canada through Mexico and includes the United States from the Mississippi River west to, but not including, the Rocky Mountain states. Together, this volume and its predecessor, Pioneer Photographers of the Far West: A Biographical Dictionary, 1840-1865, comprise an exhaustive survey of early photographers in North America and Central America, excluding the eastern United States and easte...
