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In this deeply moving book, Williams records for us his experience of the ultimate Christian triumph, the divine transformation of despair into glory, of bankruptcy into limitless riches, of true wilderness and true resurrection. Theology for Williams is not, finally, an academic study, but rather, a process of self-discovery.
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In this previously untold story of African American self-education, Heather Andrea Williams moves across time to examine African Americans' relationship to literacy during slavery, during the Civil War, and in the first decades of freedom. Self-Taught traces the historical antecedents to freedpeople's intense desire to become literate and demonstrates how the visions of enslaved African Americans emerged into plans and action once slavery ended. Enslaved people, Williams contends, placed great value in the practical power of literacy, whether it was to enable them to read the Bible for themselves or to keep informed of the abolition movement and later the progress of the Civil War. Some slav...
This book contains a number of H.A. Williams' writings, which are of great significance and highlight the lasting impact of his life and work.
The image of the Irish in the United States changed drastically over time, from that of hard-drinking, rioting Paddies to genial, patriotic working-class citizens. In 'Twas Only an Irishman's Dream, William H. A. Williams traces the change in this image through more than 700 pieces of sheet music--popular songs from the stage and for the parlor--to show how Americans' opinions of Ireland and the Irish went practically from one extreme to the other. Because sheet music was a commercial item it had to be acceptable to the broadest possible song-buying public. "Negotiations" about their image involved Irish songwriters, performers, and pressured groups, on the one hand, and non-Irish writers, publishers, and audiences on the other. Williams ties the contents of song lyrics to the history of the Irish diaspora, suggesting how ethnic stereotypes are created and how they evolve within commercial popular culture.
Seamus ORoukes obsession with a girl he discovers on You Tube turns into love when Fiona MacKenzie turns up on his Midwestern campus. While the sixty-?ve-year-old Irishmans pursuit of this twenty-year-old folk singer is against all reason, rhyme does play its role. Seamus is adept at wielding poetry, as well as music, art, gourmet meals and ? ne wine, in his campaign for the heart of his green-eyed auburn-haired beauty. Fiona is haunted by the earlier death of her Scottish father and by the resulting loneliness, which she tries to hide beneath her usually self-con?dent exterior. She tries to keep from being overwhelmed by Seamus larger-than-life personality. Gradually, however, her skeptical...
"Change is coming to Faha, a small Irish parish that hasn't changed in a thousand years. For one thing, the rain is stopping. Nobody remembers when it started; rain on the western seaboard is a condition of living. But now - just as Father Coffey proclaims the coming of the electricity - the rain clouds are lifting. Seventeen-year-old Noel Crowe is idling in the unexpected sunshine when Christy makes his first entrance into Faha, bringing secrets he needs to atone for. Though he can't explain it, Noel knows right then: something has changed. As the people of Faha anticipate the endlessly procrastinated advent of the electricity, and Noel navigates his own coming-of-age and his falling in and...
Argues that human freedom is threatened by systems of intelligent persuasion developed by tech giants who compete for our time and attention. This title is also available as Open Access.
'This book is about my making sense here, of my becoming and being Pākehā. Every Pākehā becomes a Pākehā in their own way, finding her or his own meaning for that Māori word. This is the story of what it means to me. I have written this book for Pākehā – and other New Zealanders – curious about their sense of identity and about the ambivalences we Pākehā often experience in our relationships with Māori.' A timely and perceptive memoir from award-winning author and academic Alison Jones. As questions of identity come to the fore once more in New Zealand, this frank and humane account of a life spent traversing Pākehā and Māori worlds offers important insights into our shared life on these islands.