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The sets of landscape etchings produced in the second decade of the seventeenth century by Claes Jansz. Visscher, Esaias van den Velde, Willem Buytewech, and Jan van de Velde drew on and contributed to a print culture that played a key role in defining "Dutch" landscape. Examination of these printed landscape series as part of a wide-ranging print culture underscores the consistent interrelationship of landscape, history, and politics. To varying degrees, the contemporaneous descriptive geographies, histories, allegorical tableaux, didactic prints, and poetic anthologies considered in this study provide parallels for the prints' serial structure, journey theme, and commemorative motifs. More...
City Maps Haarlem Netherlands is an easy to use small pocket book filled with all you need for your stay in the big city. Attractions, pubs, bars, restaurants, museums, convenience stores, clothing stores, shopping centers, marketplaces, police, emergency facilities are only some of the places you will find in this map. This collection of maps is up to date with the latest developments of the city as of 2017. We hope you let this map be part of yet another fun Haarlem adventure :)
Teyler’s Foundation in Haarlem and its ‘Book and Art Room’ of 1779, edited by Ellinoor Bergvelt and Debora Meijers, examines for the first time this remarkable institution in the context of scientific, museological, political, artistic, religious and philosophical developments.
In the time of the Dutch Republic, the towns of Amsterdam and Haarlem were the centre of a flourishing silk industry. This little known area of the Dutch textile industry has now been thoroughly studied for the first time. The book not only paints a fascinating picture of the organization of the silk weavers' workshops, the looms and the fabrics woven on them, it also offers us a glimpse into the lives of those involved: the weavers, the designers of the patterns, and the manufacturers or fabrikeurs who employed them. One of the important results of the present research for the history of textiles is the definitive identification of a group of silk fabrics with chinoiserie designs as woven in Amsterdam. Dr. Sjoukje Colenbrander is an independent textile historian and leading authority on the Dutch silk industry. In 2009 she was the first to receive the Dave Aronson-Prize for her research into the silk industry in Amsterdam and Haarlem during the 17th and 18th centuries. 0.
This source collection contains hitherto unpublished archival records concerning the Dutch commanderies of the Order of St. John or of Malta and their place within the Order's international organization, from medieval to early modern times.
First published in 1996. Volume 2 of the International Dictionary of Historical Places covers Northern Europe (British Isles to Russia), out of a set of five. The dictionary spans from Aachen to Ypres and includes an index by country. This five-volume set presents some 1,000 comprehensive and fully illustrated histories of the most famous sites in the world. Entries include location, description, and site details, and a 3,000- to 4,000-word essay that provides a full history of the site and its condition today. An annotated further reading list of books and articles about the site completes each entry.
The appealing genre paintings of great seventeenth-century Dutch artists - Vermeer, Steen, de Hooch, Dou and others - have long enjoyed tremendous popularity. This comprehensive book explores the evolution of genre painting throughout the Dutch Golden Age, beginning in the early 1600s and continuing through the opening years of the next century. Wayne Franits, a well-known scholar of Dutch genre painting, offers a wealth of information about these works as well as about seventeenth-century Dutch culture, its predilections and its prejudices. The author approaches genre paintings from a variety of perspectives, examining their reception among contemporary audiences and setting the works in their political, cultural and economic contexts. The works emerge as distinctly conventional images, Franits shows, as genre artists continually replicated specific styles, motifs and a surprisingly restricted number of themes over the course of several generations. Luxuriously illustrated and with a full representation of the major artists and the cities where genre painting flourished, this book will delight students, scholars and general readers alike.
Overzicht van vooral de 20e-eeuwse Nederlandse typografie.