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This proceedings book presents edited results of the eighth International Conference on Fuzzy Information and Engineering (ICFIE'2015) and on Oriental Thinking and Fuzzy Logic, in August 17-20, 2015, in Dalian, China. The book contains 65 high-quality papers and is divided into six main parts: "Fuzzy Information Processing", "Fuzzy Engineering", "Internet and Big Data Applications", "Factor Space and Factorial Neural Networks", "Information Granulation and Granular Computing" as well as "Extenics and Innovation Methods".
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This book is the proceedings of the Third International Conference on Fuzzy Information and Engineering (ICFIE 2009) held in the famous mountain city Chongqing in Southwestern China, from September 26-29, 2009. Only high-quality papers are included. The ICFIE 2009, built on the success of previous conferences, the ICFIE 2007 (Guangzhou, China), is a major symposium for scientists, engineers and practitioners in the world to present their updated results, ideas, developments and applications in all areas of fuzzy information and engineering. It aims to strengthen relations between industry research laboratories and universities, and to create a primary symposium for world scientists in fuzzy fields as follows: Fuzzy Information; Fuzzy Sets and Systems; Soft Computing; Fuzzy Engineering; Fuzzy Operation Research and Management; Artificial Intelligence; Fuzzy Mathematics and Systems in Applications, etc.
Serialized television drama (dianshiju), perhaps the most popular and influential cultural form in China over the past three decades, offers a wide and penetrating look at the tensions and contradictions of the post-revolutionary and pro-market period. Zhong Xueping’s timely new work draws attention to the multiple cultural and historical legacies that coexist and challenge each other within this dominant form of story telling. Although scholars tend to focus their attention on elite cultural trends and avant garde movements in literature and film, Zhong argues for recognizing the complexity of dianshiju’s melodramatic mode and its various subgenres, in effect "refocusing" mainstream Chi...