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The AGNS Permanent Collection
This book begins with an introduction charting the history of the Art Gallery of Nova Scotia from its beginnings as a dispersed collection held under the name of the Nova Scotia Museum of Fine Arts to the present Gallery housed in a historic building. The main section presents photographs of 134 key works in the Gallery's collection along with essays about the art & artists. The works are arranged under the following categories: Canadian historical painting, contemporary art, First Nations & Inuit art, folk art, ceramics, historical prints & drawings, and international painting & sculpture. Includes index of artists.
Nova Scotia Folk Art
There may be many folk artists in Canada, but there is only one integrated folk art scene: the one in Nova Scotia. Classic folk art is the work of artists who did not think of themselves as artists, who made art that they never considered to be art at all. There were no festivals, no galleries, and no touring exhibitions when they started--just a sign by the side of the road, a painted house, or colourful sculptures in the yard to attract the attention of passers-by. Today in Nova Scotia, contemporary folk art has become a distinct style, one which stresses individual creativity over collective utility. The maker, and their stories, is central to the appeal. Written by former Art Gallery of ...
The Artists' Halifax
For the past 250 years, Halifax and its residents have been a favourite subject of visiting and local artists. This book presents a collection of more than 100 works of art which show the city at every stage in its history. This selection of images is drawn from hundreds of paintings, drawings, etchings, lithographs and sketches in the rich collection of the Art Gallery of Nova Scotia. Many early paintings by military artists show the growth of the town and surrounding area. Later works by distinguished visiting artists and well-known residents include portraits and landscapes influenced by European high art. There are also fine examples of lithographs created for the popular nineteenth-cent...
Artists' Halifax
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In this Place
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The Last Art College
The long-awaited history of the art college that became an unlikely epicenter of the art world in the 1960s and 1970s. How did a small art college in Nova Scotia become the epicenter of art education—and to a large extent of the postmimimalist and conceptual art world itself—in the 1960s and 1970s? Like the unorthodox experiments and rich human resources that made Black Mountain College an improbable center of art a generation earlier, the activities and artists at Nova Scotia College of Art and Design (aka NSCAD) in the 1970s redefined the means and methods of art education and the shape of art far beyond Halifax. A partial list of visiting artists and faculty members at NSCAD would inc...
Paintings of Nova Scotia
Mora Dianne O'Neill is associate curator of historical prints and drawings at the Art Gallery of Nova Scotia.
Art Et Architecture Au Canada
Identifies and summarizes thousands of books, article, exhibition catalogues, government publications, and theses published in many countries and in several languages from the early nineteenth century to 1981.
For Folk’s Sake
Folk art emerged in twentieth-century Nova Scotia not as an accident of history, but in tandem with cultural policy developments that shaped art institutions across the province between 1967 and 1997. For Folk’s Sake charts how woodcarvings and paintings by well-known and obscure self-taught makers - and their connection to handwork, local history, and place - fed the public’s nostalgia for a simpler past. The folk artists examined here range from the well-known self-taught painter Maud Lewis to the relatively anonymous woodcarvers Charles Atkinson, Ralph Boutilier, Collins Eisenhauer, and Clarence Mooers. These artists are connected by the ways in which their work fascinated those activ...
