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Culinary Landmarks is a definitive history and bibliography of Canadian cookbooks from the beginning, when La cuisinière bourgeoise was published in Quebec City in 1825, to the mid-twentieth century. Over the course of more than ten years Elizabeth Driver researched every cookbook published within the borders of present-day Canada, whether a locally authored text or a Canadian edition of a foreign work. Every type of recipe collection is included, from trade publishers' bestsellers and advertising cookbooks, to home economics textbooks and fund-raisers from church women's groups. The entries for over 2,200 individual titles are arranged chronologically by their province or territory of publ...
It is also a history of a type of "work" that was new during this period. The mechanized reproduction of art works in the nineteenth century meant that artists found themselves within an industrial atmosphere similar to that of other workers. This history traces the beginning of that process in England, follows its transference to Canada, and demonstrates how illustrators, engravers, photo-engravers, and lithographers became part of an increasingly commercially oriented industry. It was an industry of major importance in the fields of printing and new forms of advertising, but it was also an industry that led to a change in status for the members of its work force who considered themselves to be artists.
During the Second World War, hundreds of children were sent from the UK to stay with family and friends in Canada as “war guests.” This book collects the letters of one such war guest, young W.A.B (Alec) Douglas, who wrote from his wartime home in Toronto to his mother back home in London. Alec wrote home every week, although sometimes he forgot to post his letters, and they were delayed, and some letters did not get through. Occasionally his godmother and host, Mavis Fry, would add comments and write her own more detailed letters. Also included are letters from Lillian Kingston, who brought Alec to North America in 1940. This is a story of exposure, at an impressionable age, to ocean passage in wartime, the sights and sounds of New York, the totally new and unfamiliar world of Canada, the wonderful excitement of passage home in a Woolworth Aircraft Carrier as a "Guest of the Admiralty," and his eventful return to a world he had left behind three years before. A War Guest in Canada includes a foreword by Cynthia Comacchio and an introduction by Roger Sarty.
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Not the Whole Story is a compilation of sixteen stories narrated by single mothers in their own way and about their own lives. Each story is unique, but the same issues appear again and again. Abuse, parenting as single mothers, challenges in the labour market, mental health and addictions issues, a scarcity of quality childcare, immigration and status vulnerability, struggles with custody, and poverty—these factors, combined with a lack of support, contribute to their continued struggles. The themes that recur across stories illustrate that the issues the women face are not just about individual struggle; they demonstrate that major issues in Canada’s social system have been neglected i...