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Southbound
'Southbound: Photographs of and about the New South' comprises fifty-six photographers' visions of the South over the first decades of the twenty-first century. Accordingly, it offers a composite image of the region. The photographs echo stories told about the South as a bastion of tradition, of a region remade through Americanization and globalization, and as a land full of surprising realities. The project's purpose is to investigate the senses of place in the South that congeal, however fleetingly, in the spaces between the photographers' looking, their images, and our own preexisting ideas about the region. Recognizing the complexity of understanding any place, let alone one as charged a...
Photoglyphs
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Pulse Dome Project
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Namsa Leuba: Crossed Looks
Powerful, vividly chromatic portraits of African identity and the Western fantasy of cultural otherness Accompanying the first solo exhibition of Swiss Guinean artist Namsa Leuba (born 1982) in the United States, Crossed Looksfeatures Leuba's major projects to date, including photography series in Guinea, South Africa, Nigeria and Benin, and the debut of a new series recently made in Tahiti. The exhibition and publication consider how Leuba's photographic practice explores the representation of African identity and the cultural Other in the Western imagination. Over 90 photographs inspired by the visual culture and ceremonies of West Africa, contemporary fashion and design, and the history of photography and its colonizing gaze present Leuba's unique perspective that straddles reality and fantasy. Through the adaptation of myths attributed to the Other, Leuba's photographs acknowledge this double act of looking, a dialogue of global cultures. The essays included in the book examine the nuanced themes of identity and representation in Leuba's multiple bodies of work.
Keeper's Keep
Photographs of paintings and sculpture from the 2012 exhibition Aggie Zed: Keeper's keep at the Halsey Institute of Contemporary Art, College of Charleston, South Carolina. Includes artist interview.
Return to the Sea
Contemporary Japanese artist Motoi Yamamoto is known for working with salt--often in the form of temporary, intricate, large-scale installations--and he has created acclaimed projects around the world. Return to the Sea is the first book to take measure of Yamamoto's engagement with salt installations since he began making them in 1994. Yamamoto began to create art out of salt while mourning the death of his sister, out of an effort to preserve his memories. He views his installations as exercises that are at once futile yet necessary to his healing. An important aspect of the installation is the dismantling of his work at the end of each show and delivering the salt back to water, usually in collaboration with the public.
The Quest for the Man on the White Donkey
This is Yaakov Israel's attempt to relay a personal take on the Israeli reality with a broader sense of belonging to the global human collectivity.
Correspondence
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