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A non-fiction exploring some of Northern Canada's greatest forgotten mysteries- the stories and legends surrounding the watershed of the South Nahanni River. . Deep in the heart of the Canadian North lies a mysterious valley shrouded in legend. Lured by tales of lost gold, prospectors who enter it tend to lose their heads or vanish without a trace. Some say that the valley is cursed- haunted by an evil spirit whose wailings echo in the canyons. Others claim that it is home to monsters- relics of its prehistoric past. What secrets could the valley be hiding? What mysteries lie buried beneath its misty shroud?
An assortment of real Canadian mysteries published on MysteriesOfCanada.com throughout the year 2018. Includes tales of clairvoyance, ghosts, poltergeists, lost treasure, superstitions, haunted hotels, and monsters.
Your unauthorized guide to the History Channel's TV series "The Curse of Oak Island". Packed with information on the history of the Oak Island treasure hunt; plot summaries and analyses for each episode of "The Curse of Oak Island" from Seasons 1 through 6; and summaries of the various theories regarding the nature of the Oak Island mystery.
From one of the world's most passionately engaged and acclaimed literary citizens comes Writing with Intent, the largest collection to date of Margaret Atwood's nonfiction, ranging from 1983 to 2005. Composed of autobiographical essays, cultural commentary, book reviews, and introductory pieces to great works of literature, this is the award-winning author's first book-length nonfiction publication in twenty years. Arranged chronologically, these writings display the development of Atwood's worldview as the world around her changes. Included are the Booker Prize -- winning author's reviews of books by John Updike, Italo Calvino, Toni Morrison, and others, as well as essays in which she remem...
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Brutal Choreographies investigates the novels of Margaret Atwood, focusing on their psychological and political concerns. Drawing on recent feminist and psychoanalytic theory, J. Brooks Bouson examines Atwood's recurring self, family, and romantic dramas, her novelistic subversion of romantic love ideology, and her critique of gender and power politics. Bouson also considers the oppositional strategies used in Atwood's novels: their punitive plotting and enactments of female revenge fantasies, their dialogic resistance to romantic discourse, and their self-conscious manipulation and sabotage of romance and other traditional plot lines and conventions. From the protofeminism of The Edible Wom...
This book studies the work of some of Canada's most prominent fiction writers in the context of postmodernism. Hutcheon shows that in Canada, this cultural phenomenon has not only found particularly fertile ground on which to develop but has also taken a distinctive form. She examines contemporary cultural theory and the writings of Margaret Atwood, Clark Blaise, George Bowering, Leonard Cohen, Timothy Findley, Jack Hodgins, Robert Kroetsch, Michael Ondaatje, Chris Scott, Susan Swan, Audrey Thomas, Aritha van Herk, and others.
With original and informative intertextual reading of Beckett's work, detecting previously unknown quotations, allusions to and parodies of Dante, Daniela Caselli presents a study of the relationship between Beckett and Dante.
In Fictional Truth Riffaterre identifies and discusses the features that give fictional narratives their ring of truth. He offers a semiotic revision of traditional narrarology, sets forth a new theory of intertextual overdetermination, and presents an analysis of the manufestation of narrative contant through the operations of an intertextual unconscious. Throughout, Riffaterre tests theory against close readings of fiction by such authors as Austen, Balzac, Dickens, James, Meredith, Proust, and Trollope. An introduction and glossary of terms help make this an indispensable volume for the student as well as the specialist.
This book describes in word and illustration the results of an exciting quest on the part of its authors to discover and record Indian rock paintings of Northern Ontario and Minnesota. Numerous drawings were made from these pictographs at a hundred different sites; the originals range in age from four to five hundred years to a thousand, and were done with the simplest materials: fingers for brushes, fine clay impregnated with ferrous oxide giving the characteristic red paint. Where an overhanging rock protected a vertical face from dripping water or on dry, naked rock faces the Indians recorded the forest life with which they lived in intimate association—deer, caribou, rabbit, heron, tro...