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The tale of the onstage fight between prima donnas Francesca Cuzzoni and Faustina Bordoni is notorious, appearing in music histories to this day, but it is a fiction. Starting from this misunderstanding, The Rival Sirens suggests that the rivalry fostered between the singers in 1720s London was in large part a social construction, one conditioned by local theatrical context and audience expectations, and heightened by manipulations of plot and music. This book offers readings of operas by Handel and Bononcini as performance events, inflected by the audience's perceptions of singer persona and contemporary theatrical and cultural contexts. Through examining the case of these two women, Suzanne Aspden demonstrates that the personae of star performers, as well as their voices, were of crucial importance in determining the shape of an opera during the early part of the eighteenth century.
This book is the result of the International Workshop on Time, Mind, and Behavior, which was held at the University of Groningen in September 1984. The aim of the workshop was to produce an up to date review of the state of the art in the field of time psychology. The rapid development of a cognitive outlook in experimental psychology has, among other things, un derlined the need for a reconsideration of time experience, the coding and representation of temporal information, and the timing of complex re sponses. Since the publication of Paul Fraisse's classical Psychologie du Temps in 1957, time psychology has slowly but steadily drawn an in creasing amount of attention, to a point where it ...
Edward Lear's poetry and prose celebrates the joy of living, and has influenced writers and illustrators from Terry Gilliam to Spike Milligan and Ricky Gervais. Although the subject and form of his works varies greatly, all of Lear's poems can be characterized by his irreverent view of the world, and many critics view Lear's nonsense books as his way of undermining the all-pervasive orderliness and industriousness of Victorian society. However, regardless of his inspiration or impetus, the appeal of Lear's poems and illustrations has proved timeless. Nonsense Songs and Stories contains some of Lear's best-known poetry, as well as stories and songs about real and imagined creatures. Poems include "The Owl and the Pussycat," "The Jumblies," "Calico Pie," and the stories are "The Story of the Four Little Children Who Went Round the World" and the "History of the Seven Families of the Lake Pipple-Popple."
Borgo Cataloging Guides are written by catalogers for catalogers. These guides provide surveys of cataloging practice and science in the Library of Congress classification scheme. Each book surveys a specific subject area, with comprehensive coverage of the actual subject headings and classification numbers.
The nation's most celebrated literary critic introduces children to the exciting world of literature through this collection of great stories by Hans Christian Andersen, William Blake, O. Henry, Tolstoy, Mark Twain, Oscar Wilde, and others. 100,000 first printing.
The Oxford Handbook of Victorian Poetry offers an authorative collection of original essays and is an essential resource for those interested in Victorian poetry and poetics.
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The stories of Thomas the Tank Engine and his friends have delighted generations of children and adults, but what do we know of the man who created them? A devoted pastor and family man, the Reverend W Awdry first started telling the stories in order to amuse his own children, with no idea that the characters would lead to a global phenomenon that now, seventy years after their first appearance, shows no signs of waning. In this fascinating and warm biography, prolific author Brian Sibley brings to life one of the most eminent children's writers of the twentieth century, tracing his story from his Edwardian childhood through his time at University and into World War 2. A convinced pacifist, Awdry was thrown out of one curacy and denied another, because of his beliefs. Never afraid to fight for what he thought was right, he argued with his publishers and his illustrators, demanding the best for his favourite creations - the trains and their friends.
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