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Exceptionally full, detailed study of the man, his music and times. Childhood, music training, years in London; analysis of Messiah and other works; much more. Introduction. Includes 35 illustrations.
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Baroque composer George Frideric Handel easily ranks among the world's greatest composers. The first edition of this research guide on Handel appeared in 1988; since that time a great deal of scholarly work has been published on Handel and related areas, including the discovery of a hitherto unknown work. New general resources such as the New Grove Dictionary of Opera (1992), electronic resources such as the RISM libretto catalogue online, and the study of Handel's continuing popularity as evidenced by the new Handel House Museum in London and Handel practice around the world (e.g., Messiah and millennium celebrations in Tonga, singalong Messiahs etc.) are incorporated into this revised edition of the Handel guide.
A fully revised, expanded and updated edition of Keates’ magisterial 1985 biography of one of the world’s favourite composers. Though unquestionably one of the greatest and best-loved of all composers, George Frederic Handel (1685—1759) had received little attention from biographers before Jonathan Keates’ masterful Handel: The Man & His Music appeared in 1985. Published to commemorate the 250th anniversary of the composer’s death, this updated and expanded edition charts in detail Handel’s life from his youth in Germany, through his brilliantly successful Italian sojourn, to the opulence and squalor of Georgian London. Keates writes with sympathy and penetration about this extraordinary genius whose career abounded in reversals that would have crushed anyone with less resilience and willpower, but whose influence was to be deeply felt by Haydn, Mozart and Beethoven. Interwoven with the account of Handel’s life are commentaries on all his major works as well as many less familiar pieces by this most inventive, expressive and captivating of composers.
This book discusses literary and dramatic aspects of musical works for voices and instruments performed in English theatres (c.1650 and 1750).