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This generously annotated edition offers a thorough reconsideration of Shakespeare's remarkable, and probably his last, tragedy.
The First Folio of 1623 was prepared for print by two members of Shakespeare's acting troupe -- John Hemings and Henry Condell -- which included comic actor Will Kemp and the great tragedian Richard Burbage. In a fascinating and detailed introduction, Freeman points out that because Shakespeare and his colleagues wrote from a rhetorical tradition -- a society where the emphasis was on the spoken word -- he wrote with an eye to how he wanted his plays performed, giving as much direction as possible to his actors. Freeman looks at what is known of the printing of that First Folio and analyzes the variations between the First Folio, later Folios, Quarto editions (where available) and modern editions of the plays. He examines the "corrections" made by editors over the centuries that have shaped the way we perceive Shakespeare today -- from the regularization of verse, to the changes from prose to verse (and vice versa) and the standardization of character prefixes.
Written by faculty and participants at the Folger Shakespeare Library's Teaching Shakespeare Institute, this volume includes essays written by leading scholars, techniques for teaching through performance, ways to teach Shakespeare successfully, and day-by-day teaching strategies specifically for Hamlet and Henry IV, Part 1.
"Reprinted after revision and correction from the 'Weekly Mercury,'" Mar. 1881-May 1884.
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